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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Tightly stepping funk from Donald Byrd – two great soulful numbers from his post-Blue Note years! "Thank You" is a tune that's as catchy as you might guess from the title – a track that bounces along on a bassline, with Byrd solos over the top – plus some all-soul ... 12-inch, Vinyl record
What can we say? "Ring My Bell" was one of the biggest crossover disco tracks of the late 70s – with a cool electronic groove on the beat, and lyrics and production by Frederick Knight, making the southern soul singer one of the more unlikely disco forces of the time. This 12" ... 12-inch, Vinyl record
What can we say? This is a classic! The track has a monster roller skating groove that's been sampled more than a few times over the years – but which still sounds incredible on its own! Both parts are great – and even though the single's pretty darn long, you still never want it to ... 12-inch, Vinyl record
Old school track from Sugar Hill's female trio that does not feature the classic Sugar Hill rhythm section, but instead uses a more synthetic sound, along the lines of maybe the Dazz Band. 12-inch, Vinyl record
Early 80s slap bass funk – of the sort that was showing up on the Liberty label at the time, and which here comes across pretty well. The best cut is "Love Is On The One", which has a catchy sing-song groove, and a very nice hook. Both tracks from the Point of Pleasure LP. 12-inch, Vinyl record