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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Key transitional work from Hugo – a record that has some of the groovy touches of his late 60s work, and some of the moogy touches of his 70s period! Not all tunes feature moog, but a few have some excellent work on the instrument by Eddie Kalehoff – and those that don't feature some ... LP, Vinyl record album
A fantastic record from the late 60s years of Herb Alpert – a time when the trumpeter was really opening up his sound, and starting to hit some of the same cool styles of his other great acts on the A&M label! Gone are the trademark Cali-Mex arrangements of the early Tijuana Brass ... LP, Vinyl record album
Wonderfully jaunty and jagged work from trumpeter Herb Alpert – and a session that has him opening up the Tijuana Brass groove a bit more than usual! There's clearly an influence here of the Brazilian sound that was showing up strongly at A&M Records at the time – heard to greatest ... LP, Vinyl record album