This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the big early hits for Stetsasonic, from the Full Gear LP, with one of the first, and still the best uses of the Dyke & the Blazers "Let A Woman Be A Woman, Let A Man Be A Man" sample! 12-inch, Vinyl record
Six different mixes of this meeting of two greats. Admittedly not as entirely dope as it could have been, but still as nice as a Soul Sonic Force records with backing by Doug Wimbish and Keith LeBlanc. Also, there's a few interludes with James Brown saying a few words about the record. 12-inch, Vinyl record
Unlike his earlier tracks, this one sounds like it could be from the "Beat Street" soundtrack, complete with a sampler bassline, sung vocals, and samplers from the old Whiz Kid hits. 12-inch, Vinyl record
Not quite up to the standards of the Jonzun Crew classics, with production by Maurice Starr. Still a little of the electro sound, but it sounds more like something from Atlantic Star. 12-inch, Vinyl record
"I Got Cha Opin" is the second hit from the first LP. On "Reality" even with it's hardcore lyrics, the Beatminers still make amazing use of a Roy Ayers' mellow "We Live In Brooklyn." 12-inch, Vinyl record