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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A collection of recordings from the 40s, with sidemen that include Juan Tizol and Lawrence Brown on trombone, Jimmy Hamilton on clarinet, Johnny Hodges on alto, Barney Bigard on clarinet and tenor, Ben Webster on tenor, Ray Nance and Wallace Jones on trumpet, with Fred Guy on guitar, Junior Raglin ... LP, Vinyl record album
Duke Ellington in fine fine form – working here in a selection of tunes played at jazz festivals in 1959 – a very good year for the Ellington Orchestra! The styles here are a mix of older Duke modes and some of the more sophisticated modernism of his late 50s years – and ... LP, Vinyl record album
A collection of Ellington recordings from the 30s and 40s, with his classic line-ups that include Johnny Hodges, Al Sears, Barney Bigard, Cootie Williams, Harry Carney, Lawrence Brown, and Joseph Nanton. LP, Vinyl record album
Titles include "Take The A Train", "Main Stem", "I Got It Bad And That Ain't Good", "Perdido", "Blue Serge", "In A Mellotone", "Rumpus In Richmond", "All Too Soon", and "What Am I Here For?". LP, Vinyl record album
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... LP, Vinyl record album
Three slices of rare work by Duke Ellington – all recorded previously as semi-private recordings, and issued here in a short-lived 70s set! As you'd guess by the title, the tracks are all in "suite" form – that broader compositional style that dominated Ellington's later work ... LP, Vinyl record album
One of Duke's most popular albums of the 50s – but we won't hold that against him! The session's one of a number of 50s outings that revisit older classics with the new level of quality offered in the studio – and it's got a similar feel to some of Duke's work for Bethlehem around the ... LP, Vinyl record album
The trombone sound of Kai Winding is firmly in place – as he solos in the lead of a septet, with 4 extra trombones in the mix to give the record a nice bass-y sound! Arrangements are by a number of members of the band, and players include Wayne Andre, Carl Fontana, Jack Franklin, and Kenny O' ... LP, Vinyl record album
A bit more high concept than before for Stanley Clarke – almost a suite of sorts, but one that still has some great standout tunes in the mix! Although Clarke used to bring his higher concepts to bear in the space of a single song, this one's more of a full exploration of the character in ... LP, Vinyl record album