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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Mellow Gravy is right – an early killer from Jack McDuff, from that time when he was really tightening up his sound on the Hammond, and working with a top-shelf group that really pushed things over the top! All tracks are nice and long with great solos – and in addition to Jack on the ... LP, Vinyl record album
Gene Ammons in a mighty nice setting – working here in an open-ended jam session style that brings all his best live energy into play at the studio of Rudy Van Gelder! The set's got a crackle that really goes beyond the earlier, shorter bop recordings from Ammons – and a bit more ... LP, Vinyl record album
The first record by vibist Freddie McCoy, and one that's got much more of a straight jazz feel than some of his later Prestige albums. Feddie's vibes are set in a group with a lesser-known group of Prestige players, like Gil Askey on trumpet, Tate Houston on baritone, and James Thomas on organ ... LP, Vinyl record album
Fantastic funky jazz from tenorman Rusty Bryant – one of the real standout titles in the classic early 70s Prestige jazz/funk years! Rusty leads a group that includes heavyweights like Charles Earland on organ, Virgil Jones on trumpet, Melvin Sparks on guitar, and Idris Muhammad on drums ... LP, Vinyl record album
Seminal Art Blakey material from the early 70s – a real change from his 60s vibe on Blue Note, in a style that really opens up to a host of more spiritual touches! The album's a counterpart to the classic Buhania set, also issued on Prestige at the time – and like that record, this one ... LP, Vinyl record album
Great stuff – and one of the groovier Teddy Edwards sessions from the 60s! The group's a sextet – with Walter Davis piano, Paul Chambers bass, Billy Higgins drums, Phil Orlando guitar, and Montego Joe on congas and bongos. The band grooves in a soul jazz vamping mode – darkly ... LP, Vinyl record album
Excellent stuff – a mid 60s collection of some of Jack's earlier work for Prestige, with a focus on the kind of jukebox-busting tracks that made him a legend right out of the box! Tracks are lean, mean, and with the kind of gutbucket organ groove that made Jack one of the best of the 60s ... LP, Vinyl record album
The title tells the tale on this one – as the session's a studio meeting of players all associated with Count Basie over the years – captured here in a style that's much more laidback and relaxed than the usual Basie set! Originally issued as 2 separate LPs a year apart, and both have ... LP, Vinyl record album
A classic album from Gene Ammons – one that features the tenor legend at his prime, working in two different settings! The first batch has Ammons "battling" Sonny Stitt in a set of stuff that features hard twin tenors in the frontline, with the kind of cutting contests the two of ... LP, Vinyl record album
Stormin! Tenorist Frank Foster is best known to the world for his years and years of work with Count Basie, but take it from us: his solo albums from the late 60's are waaaay better than his Basie work, and they're also some of our fave jazz sides of all time! This rare album features Foster ... LP, Vinyl record album
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes ... LP, Vinyl record album
One side of work by Gibbs' sextet – with Don Elliott on mellophone, Howard McGhee on trumpet, and Horace Silver or Billy Taylor on piano. One side by the orchestra of Mary Lou Williams – with Morris Lane on tenor! LP, Vinyl record album