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Round About Midnight

LP (Item 31810) Columbia, 1956 — Condition: Near Mint-
Temporarily Out Of Stock

LP, Vinyl record album

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Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha".  © 1996-2023, Dusty Groove, Inc.
(Early 70s mono Japanese pressing – SOPC 57139. Cover has some spotty aging in back.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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