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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout! The set was co-produced by Helen Keane – who was ... LP, Vinyl record album
A rare bit of samba jazz from Brazil – the only album we've ever seen by this Hammond-lead combo featuring organist Paulo Roberto! Roberto's sound is clean and lean – very much in the spirit of Walter Wanderley from the same period, and backed here with a similar blend of snapping ... LP, Vinyl record album
A classic album by Maysa – one of Brazil's most evocative vocalists of the 60s, recorded here in a lovely session of bossa tunes that begins with her stunning reading of "O Barquinho"! There's a core jazz group backing Maysa up – and strings and larger orchestrations drift ... LP, Vinyl record album
Classic instrumental choros from 40s Brazil – originally issued as 78rpm singles, but gathered here with better fidelity for a 1966 RCA album. The work is a key glimpse of the choro style at its best – and features flute work by Benedicto Lacerda, plus great saxophone from the ... LP, Vinyl record album
An unusual 70s session from singer/arranger Sidney Miller – an artist we know best from his lofty Elenco work of the 60s, but who's working here in a completely different mode! The style here is personal, almost gentle at times – following in a mode that recalls some of the Milton ... LP, Vinyl record album
Early work by Maria Bethania – recorded with a sound that's completely different than any of her later records – and pretty darn groovy, too! The backings here are by the combo of Luiz Carlos Vinhas – the pianist with Som Tres who was exploring a fair bit of rootsy and ... LP, Vinyl record album
An incredible later meeting by two of the most sophisticated musical talents of the bossa generation – and a record that's done in the same intimate, spare setting as Jobim's meeting with Elis Regina a few years before! Production is by bossa legend Aloysio De Oliveira – and the sound ... LP, Vinyl record album
Classic modern samba material by one of Brazil's greatest exponents of the genre! Martinho Da Vila has a voice that's incredible, and incredibly hard to describe – but it grabs you fiercely, and leads you through the album's rich jaunty arrangements and heavy percussion tracks. This first ... LP, Vinyl record album
A great little Kudu set from guitarist Joe Beck – a player who's sounding a lot tighter here than some of his odd psychedelic experiments of the 60s – but still pretty darn great overall! The style is smooth, as you'd expect from Kudu, but Joe's still got plenty of edges in his guitar ... LP, Vinyl record album
Gary Burton hits a sweet electric funky sound here – a great groove that really makes the album stand out from most of his other work! The support Burton gets is a big reason for the greatness of the date – as he's working in a group that includes Eric Gale on guitar, Richard Tee on ... LP, Vinyl record album