Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Svengali

LP (Item 30935) Atlantic, 1973 — Condition: Near Mint-

A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players – as Gil's working with a group of younger soul jazz and spiritual soloists that include Ted Dunbar, Billy Harper, and Hannibal Marvin Peterson – as well as the older soul modernist Richard Williams. But there's also some other specifically Evans-like touches to the record that stand out – like Gil's stark notes on acoustic piano and his lighter work on the electric keys – plus a bit of inventive synthesizer from David Horowitz, who makes a few tracks really crackle with energy. Tracks include "Zee Zee", "Blues In Orbit", "Cry Of Hunger", and "Thoroughbred" – the latter two of which are lovely compositions by Billy Harper!  © 1996-2020, Dusty Groove, Inc.
(Red & green Broadway label pressing. Cover has some wear and a promo sticker.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Gil Evans

Big Stuff!
Prestige, Late 50s. Very Good
Fantastic early work from Gil Evans – emerging here in this early session as an already far-thinking modernist. The tracks are shorter and less ambitious than some of Evans' work on Impulse, but the group is excellent – and even in a shorter format, the conception of the work still ... LP, Vinyl record album

John Coltrane

My Favorite Things
Atlantic, 1961. Very Good
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My ... LP, Vinyl record album

Billy Taylor

One For Fun
Atlantic, 1959. Very Good
It might not be the frolic that the title implies, but that's a plus – because this a straight-up solid early album from Taylor – recorded in tight trio format, with that no-nonsense soulful approach that made him a star player from the start! The group features the great (and ... LP, Vinyl record album

Eddie Harris

Is It In
Atlantic, 1974. Very Good+
One of Eddie's groovier Varitone albums, and a record that has a very electric sound to it! At times, Eddie's electric sax is so off-beat that you'd think he was playing a synthesizer instead of a sax, but in true Harris form, he always keeps it funky, and even the weird sounds have a great groove ... LP, Vinyl record album

Don Cherry

Hear & Now
Atlantic, 1977. Very Good+
Important 70s work from Don Cherry – one of the first albums to bring his overseas experiments to a larger US audience! The set builds nicely off of styles that Don forged earlier in France and Scandinavia – a freer style of music than his work with Ornette Coleman, and a richly ... LP, Vinyl record album

Eddie Harris

Excursions
Atlantic, 1973. Very Good+ 2LP Gatefold
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast ... LP, Vinyl record album

Elvin Jones

Midnight Walk
Atlantic, 1967. Very Good+
One of Elvin Jones' greatest records – a set that's quite different from both his work in the John Coltrane Quartet, and some of the powerhouse jazz sides he'd cut later as a solo act! The vibe here is a bit hard to describe, but it somehow comes together in the "midnight walk" of ... LP, Vinyl record album

Jay McShann

Big Apple Bash
Atlantic, 1979. Near Mint-
A much groovier record than you might expect – hardly the older-styled jazz session normally associated with Jay McShann, and more of a wide-ranging session that brings in some great contemporary touches! The album's something of a celebration for Jay – and it features wonderful guest ... LP, Vinyl record album

Jean Luc Ponty

Aurora
Atlantic, 1976. Very Good
One of the hippest of Jean Luc Ponty's mainstream efforts from the 70s – a tightly jamming album that's made even better by plenty of keyboards from Patrice Rushen! Rushen's sound really brings a warmer, more soulful groove to the record – stretching out with flowing solos that remind ... LP, Vinyl record album
Atlantic, 1963. Near Mint-
A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his ... LP, Vinyl record album

Jimmy McGriff

Stump Juice
Groove Merchant, 1975. Very Good Gatefold
Massively funky – and one of Jimmy McGriff's best albums for the Groove Merchant label! The album's follows strongly on the mode of Jimmy's classic Worm album – also produced by Sonny Lester, issued slightly before on the Solid State label. The set's got that stripped-down, hard-n-funk ... LP, Vinyl record album
Verve, 1961. Near Mint-
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles ... LP, Vinyl record album
 



⇑ Top