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Gin & Orange

LP (Item 3078) Cadet, 1969 — Condition: Very Good+

Fuzzy, funky genius from the great Jack McDuff – a killer late 60s set done for Chess Records, and one that mixes his own searing Hammond with wicked arrangements from the mighty Richard Evans! Given Evans' background in the Chicago soul scene, there's a gritty groove here you don't get on some of Jack's other jazz sides of the 60s – a sound that steps out strongly to the clubs, as you might guess from the cover and title! Many numbers have a sweetly stepping groove that's subtle funk at its best – opened up with lots of room for McDuff to solo brilliantly on the organ, with support from players who include Gene Barge on alto sax, Ben Branch and Cliff Davis on tenor, Jerry Byrd or Cash McCall on guitar, Phil Upchurch on bass, and Joe Burkes or Morris Jennings on drums. Half the set was recorded in the Chess studios, the other half out at the hip London House club in Chicago – and together, the tunes are united beautifully in one magnificently funky album that stretches from the studio out into the streets. Titles include the best version ever of McDuff's "Theme From The Electric Surfboard", plus "On The Case", "With The Wind", "Mac-Duffin", "Get It Up", "Gin & Orange", and "Beep Bo Boo" – all tunes written either by Jack or Richard Evans!  © 1996-2019, Dusty Groove, Inc.
(Blue label stereo pressing. Cover has a cut corner, some surface wear, and a bent corner.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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