This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An early album by Shirley, and a haunting batch of lonely songs of lost love that has Shirley singing with her trio of Joe Benjamin and Herb Lovelle. The material's very much in keeping with the "classic" sound that's been so popular during her recent revival, and the record stands as ... LP, Vinyl record album
The closest thing Sammy D ever came to cutting a bossa album – and a lovely batch of fragile tunes that feature no other instrumentation save for the guitar of Laurindo Almeida. Almeida plays acoustic guitar on the album, in a gentle style that supports Sam's rich voice as it works through a ... LP, Vinyl record album
One of the greatest albums ever cut by Swedish vocalist Monica Zetterlund – a landmark album that has her singing with the Bill Evans Trio! The album was recorded in 1964, with a spare sound that's quite different from most of Monica's other work. As usual, her vocals are wonderfully cool ... LP, Vinyl record album
Sarah Vaughan takes on the work of Duke Ellington – almost presented here in a style that's similar to some of the Songbook albums on Verve from the 50s! Billy Byers handles most of the arrangements here – especially on the larger group numbers – but some tracks are also in a ... LP, Vinyl record album
A great cooker from the glory days of Ernestine Anderson on Concord Records – a time when the singer was rediscovered, and revamped in a bit of a bluesy mode – reaching a wide new audience at the time! Her vocals really shine at this point in her career, as she lets loose with a bit ... LP, Vinyl record album
A sweet stunner from Cameo – a set that's got the group working with an even tighter, more on the money sound than before – yet never in a way that's too slick or commercial! These guys were one of the first to push the big ensemble funk sound into a leaner approach, and they really ... LP, Vinyl record album
A landmark album that hardly needs any introduction – as it's one of the most famous soundtracks, if not soul records, of the 70s! Isaac Hayes had already surprised music fans with the sophistication of his first few solo albums, which had been issued before this one – but with Shaft, ... LP, Vinyl record album
Kind of a dream combination in one little album – especially if you dig breezy bossa from the 60s! Back in 1966, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were ... LP, Vinyl record album