This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
This is no "Genius Of Love" or "Wordy Rappinghood", but it does have that 80s crossover new wave post-Danceteria type sound that we do love. . . 12-inch, Vinyl record
The adult film star who became a chart act – and thanks to some very skillful help from Gregg Diamond, who wrote, produced, and arranged the record, the title cut "More, More, More" went onto become a huge dancefloor classic. 12-inch, Vinyl record
(Early 90s issue with yellow labels. Vinyl plays with some surface noise at the very beginning of side 1, but looks NM- otherwise.)12-inch, Vinyl record