A jazzy soul masterpiece from Webster Lewis – light years away from the rougher funk he cut at the start of the 70s! The album's beautifully put together – almost perfect at all points, at a level that we'd rank right up there with the best work by Leroy Hutson, Roy Ayers, or other contemporary maestros in the studio. Unlike some of the more commercial artists of his generation – who also came to soul through jazz – Webster doesn't push the hooks too hard, nor try too much for a hit. And instead, he's more than happy to stay in his own righteous space – with a sound that's smooth, but never slick – tight, but not uptight. He's got some great help on the record – including keyboards from Herbie Hancock and Skip Scarborough, guitar from David T Walker, and percussion from Willie Bobo – all of whom keep things cool. Vocals are handled by a number of singers, including Webster himself – and titles include "Bout The Love", "Let Me Be The One", "Love Won't Harm No One", "El Bobo", "Kemo Kemo", "A Quiet Thing", and "Flying High". (Includes the printed inner sleeve.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.