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Let Me Be The One

LP (Item 30470) Epic, 1981 — Condition: Very Good+
$6.99 ...

LP, Vinyl record album

(€6.19 || £4.51 || ¥842) (approx.)
4.70 11

A jazzy soul masterpiece from Webster Lewis – light years away from the rougher funk he cut at the start of the 70s! The album's beautifully put together – almost perfect at all points, at a level that we'd rank right up there with the best work by Leroy Hutson, Roy Ayers, or other contemporary maestros in the studio. Unlike some of the more commercial artists of his generation – who also came to soul through jazz – Webster doesn't push the hooks too hard, nor try too much for a hit. And instead, he's more than happy to stay in his own righteous space – with a sound that's smooth, but never slick – tight, but not uptight. He's got some great help on the record – including keyboards from Herbie Hancock and Skip Scarborough, guitar from David T Walker, and percussion from Willie Bobo – all of whom keep things cool. Vocals are handled by a number of singers, including Webster himself – and titles include "Bout The Love", "Let Me Be The One", "Love Won't Harm No One", "El Bobo", "Kemo Kemo", "A Quiet Thing", and "Flying High".  © 1996-2015, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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