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A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the last Jimmy Smith albums for Blue Note, and a tasty trio session that features Quentin Warren on guitar and Donald Baily on drums. The tracks are short, but very groovy – with a tighter sound than on some of Smith's other Blue Note trio albums, and the same kind of in-the-pocket ... LP, Vinyl record album
Although he was the consummate high-class hipster at the start of his career, for some reason Jimmy Smith seemed to hit a forced sort of rootsy style about halfway through his years at Verve. The style worked well for him, even if it sometimes languished in bluesy tones that seemed a bit forced ... LP, Vinyl record album
Wonderful early stuff from Jimmy Smith! The album is one of two great sessions that capture Smith in all his youthful prime, playing with other Blue Note greats like Art Blakey, Kenny Burrell, and Lou Donaldson – and nicely constructed tracks that take standard tunes and open them up into a ... LP, Vinyl record album
Massive keyboard work from Ronnie Foster – one of his sweet funky 70s sets for Blue Note – and a killer all the way through! Ronnie plays a host of cool keys – Hammond, clavinet, and moog – and he's working here with tight production from George Benson, who really helps ... LP, Vinyl record album