This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the hardest-hitting Junior Mance albums of the 60s – a session that features the Mance piano grooving soulfully over some bigger backings handled by Bob Bain – really swinging nicely, in a way that's got a real Oliver Nelson feel overall! We always like Mance's piano when it's ... LP, Vinyl record album
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features ... LP, Vinyl record album
A classic pairing of the guitar of Earl Klugh and the keyboards of Bob James – and a set that really makes some great steps forward out of a blend of the acoustic and electric sounds from each player! Earl's strings sound especially nice over James' Fender Rhodes – but even cuts with ... LP, Vinyl record album
One of the best Kenton LPs ever, and one that really shows the band's beautiful blend of avant garde playing with a swinging jazz sensibility. A 12" LP release of two 10" albums – one showcasing the arranging style of Bill Russo, the other of Bill Holman. Both sides are excellent, ... LP, Vinyl record album
Smooth fusion from one of the greats – and although an 80s set, a record that still holds onto most of the best warmth of Earl Klugh's earlier years! The production is surprisingly laidback at points – never too many 80s gimmicks or easy attempts at a hit – and Earl plays with ... LP, Vinyl record album
An album with a sound as hip as its title, and one that features Gagnon on alto, tenor, and flute – all played with a nicely sharp tone that's at once both strongly modern, yet also surprisingly soulful – the kind of vibe you might expect from Roland Kirk or Yusef Lateef, but with less ... LP, Vinyl record album
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" ... LP, Vinyl record album
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists ... LP, Vinyl record album