A great lost groover on Prestige – and an album that puts the soulful organ of Johnny Hammond Smith into contact with the groovy vibes of Freddie McCoy – one of the label's best under-reissued players! The tracks have a nice raw soul jazz sound – and the combination of vibes and organ is quite unique here – somewhat different than the same approach used by Johnny Lytle during the same time – with a wider, more open-ended sensibility overall! Other players on the set include Eddie McFadden on guitar, Wendell Marshall on bass, and Leo Stevens on drums – and the whole album's got a relaxed, easygoing feel that still manages to get plenty of grit in the grooves. Titles include some good originals like "Ribs N Chips", "Sticks an' Stones", and "Que Pasa?" – plus versions of "Cry Me A River", "Invitation", and "Spring Is Here". (Blue label pressing.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.