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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the sweetest Funkadelic albums from the middle period, and a good batch of tracks that often gets overlooked in the haze of similar Pedro Bell covers! Don't miss this one, though – because it is a very strong album – key in the shift from more guitar-based funk to more groove-ori ... LP, Vinyl record album
Later work from Booker T and crew – an album that always gets lost in the shuffle, but which also includes lots of great moments, and a bit more funk than in earlier years! The rhythm section's loosening up a bit on the set – led by the mighty Al Jackson, and working past that tight ... LP, Vinyl record album
The third album by The Stylistics – and a set that's still very much in the high-harmony territory of their first two classics! Thom Bell's still very firmly on deck this time around – arranging, producing, and writing a good deal of the material too – and the Sigma Sound ... LP, Vinyl record album
A fantastic second album from Rasputin Stash – a group who started out on Atlantic Records as a big ensemble with a pretty freaky, fuzzy sound – but one who emerge here with a sweet mix of funk and soul that's perfect for their placement on this mid-70s offshoot of Curtom Records! The ... LP, Vinyl record album
A really bold step forward for Norman Connors – a set that's still got all the spiritual jazz elements of his roots, but which also adds in some more soul and funk elements too! Jean Carn delivers some wonderful vocals on the record – at a level that's much more like her early Black ... LP, Vinyl record album
The first solo album from Johnny Bristol – a genius soul talent who did a bunch of great work for Motown as a writer and arranger, breaking out here on his own! Like so many other behind-the-scenes talents from the late 60s, Johnny turned out to be an excellent soul artist in his own right ... LP, Vinyl record album
Genius work from Denice Williams – a singer who'd cracked the charts a bit as Denice Chandler, with a little girl soul sound, way back in the 60s – but who's grown up considerably by this essential 70s set! Chandler's voice is still a bit high – almost in a Minnie Riperton sort ... LP, Vinyl record album
A brilliant double live album by Bill Withers – different than his studio work, and every bit as essential! The album's similar to Curtis Mayfield's double live album around the same time – in that it's got Bill in front of a very enthusiastic crowd, playing in a stripped down way that ... LP, Vinyl record album
The fantastic debut of The Pointer Sisters – an album that's a lot deeper than most of their crossover pop from years to come! At the time of the album's release, the trio were a badass group of female singers on the Bay Area scene – out to redefine the role of the girl group in soul ... LP, Vinyl record album
A crossover classic from the late 70s – a record that was born in the clubs, but bred in the mainstream – and the start of a very good relationship between Odyssey and RCA! The album will forever be known for its classic cut "Native New Yorker" – a seminal groover that ... LP, Vinyl record album
Plenty of darkness here from Phil Upchurch – those great tones and notes he worked so well back in the 70s – all with that near-perfect quality that made him one of the most in-demand players of his day! The style here is a bit different than some of Phil's previous work in Chicago ... LP, Vinyl record album
The larger Cecil Taylor Unit with multiple strings players (Ramsey Ameen on violin and Alan Silva on bass and cello), two drummers: Jerome Cooper and Sunny Murray and longtime reedman Jimmy Lyons. Recorded live in New York in 1980, capturing Taylor's unique conception of group improvisation in full ... LP, Vinyl record album