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In The Court Of The Crimson King

LP (Item 29403) Atlantic, 1969 — Condition: Good+
Gatefold

An album so heavy, it blew plenty of minds when first released at the end of the 60s! This set's the first-ever utterance from the King Crimson empire – the initial outing of the group, which featured Greg Lake on vocals, and lots of airy, darkly atmospheric guitar from the legendary Robert Fripp! The song structure is quite unusual – and the overall feel is less academically tangled than some of the later records – a feature that makes this album much more sought out by mainstream rockers looking for an intro to the group than some of the later sets. Yet having said that, there's also a pretty amazing approach here – somewhat obtuse, and definitely not looking for any radio edit hits – more just magical musings from a very unique ensemble. Peter Sinfield contributed the lyrics, which are sung by Lake – and Michael Giles handles drums and percussion, while Ian MacDonald plays flute, sax, keyboards, and more. Titles include "Moonchild", "21st Century Schizoid Man", "I Talk To The Wind", "Epitaph", and "Court Of The Crimson King".  © 1996-2020, Dusty Groove, Inc.
(Red & green Rockefeller label pressing, in the textured cover, with a split bottom seam and light wear. PLEASE NOTE – Vinyl is a bit heated and plays with light surface noise.)

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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