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154

LP (Item 29352) Warner, 1979 — Condition: Very Good
Here's the one where it all goes crazy – where Wire move beyond the short, sharp shock of their earliest material – and almost lay the blueprint for the whole post-punk generation in the process! The ideas and sounds are every bit as sharp as before, but they're mixed with a moody sense of soundscape and experimental currents – definitely the unusual sounds that the Gilbert and Lewis team were keen to explore! Imagine Brian Eno making a punk record at the end of the 70s, and you'll have a good idea of the vibe going on here – but that's just the beginning, as there's so much more going on – including moments of hope and tunefulness that come as a real surprise, and which keep the album so wonderfully strong over the decades. Titles include "Once Is Enough", "Two People In A Room", "Single KO", "40 Versions", "I Should Have Known Better", "On Returning", "The 15th", and "Map Ref 41N 93W".  © 1996-2023, Dusty Groove, Inc.
(Original UK pressing. Includes the round corner inner sleeve, but without the bonus 7-inch. Vinyl has a deep mark that clicks on "Indirect Enquiries" and "40 Versions". Cover has light wear, some aging, and a tiny split in the bottom seam.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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