This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really ... LP, Vinyl record album
A beautiful set from guitarist Earl Klugh – and one that really lives up to its title – a record that matches Earl's wonderful work on guitar with some sublime orchestral charts from Dave Matthews! The approach is definitely different than some of Klugh's previous work, and makes the ... LP, Vinyl record album
A really unique album for Lou Donaldson – especially for his early 70s run on Blue Note! The session lives up to its title by offering up a batch of soulful ballads from Lou – tunes that really focus on his sweet lines on alto, yet set amidst some larger backing arranged by Wade Marcus ... LP, Vinyl record album
One of the greatest records ever cut by the Thad Jones/Mel Lewis Orchestra – way way more than a big band jazz session, and a fantastically hip batch of grooves that encompasses a wealth of styles! The Jones/Lewis group could sometimes sound a bit clunky and overhashed – but on this ... LP, Vinyl record album
Great work from the Don Pullen-George Adams Quartet – a great post-Mingus group that features Adams on tenor and Pullen on piano – along with Dannie Richmond on drums and Cameron Brown on bass! The sound of these sides is really wonderful – as inventive and exploratory as some of ... LP, Vinyl record album
One of the best albums that Al Cohn and Zoot Sims ever cut together – and that's saying a lot, given the strength of their collaborations during the 50s and 60s! The set's got a nice small group feeling, and is a bit more open and relaxed than some of their RCA material – still in the ... LP, Vinyl record album
Late 60s issue of a fantastic Coleman Hawkins session from the late 50s – recorded with a septet that included Idrees Sulieman, Hank Jones, JJ Johnson, and Oscar Pettiford – and with an open-ended tone that veers towards the Prestige blowing session mode, but which is also tighter, and ... LP, Vinyl record album
A 2LP set that expands on tunes originally issued on the Coltrane/Mal Waldron albums The Dealers and Wheelin & Dealin – both featuring material recorded in 1957, with Coltrane on tenor, and a rhythm section that features Waldron, Doug Watkins, and Art Taylor. The tracks are open-ended ... LP, Vinyl record album
Very different work than usual from Frank Foster – and pretty darn great! The album was put together by arranger Billy Mitchell – with a warm and sunny take on soul jazz that's every bit the best side of the Catalyst Records sound – kind of a sweeter, slightly electric take on ... LP, Vinyl record album
Arranged and conducted by pianist Bob Florence. With Johnny Audino, Jules Chaikin, Tony Terran, and Tom Scott on trumpets; Bob Edmonson, herbie Harper, Gail Martin, and Harry Betts on trombones; Bud Shank and Johnny Rotella on alto, Bob Hardaway and Bill Perkins on tenor, John Lowe on baritone, ... LP, Vinyl record album