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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprise mid 70s hit for Dionne Warwick – a warm and bubbling bit of soul, done with uptown maestro Jerry Ragovoy in a perfect AM pop style! The centerpiece of the album is the super-hit tune "Then Came You" – a duet with The Spinners produced and arranged by Thom Bell at ... LP, Vinyl record album
One of the greatest crossover albums of the 80s – and the record that catapulted Prince very firmly into the mainstream! There's a tightness here that surpasses even that of Prince's early classics for Warner Brothers – an unabashed love of a pop hook that makes for some incredibly ... LP, Vinyl record album
Darn nice work from The Staple Singers – a record that seems to take the leaner, meaner sound learned by the group during their soundtrack years, and turn it back towards the fuller, more righteous sound of the Stax years! The album was recorded at Muscle Shoals, with very solid production ... LP, Vinyl record album
One of the harder funk albums by Tower Of Power – done with a hard-driving horn-heavy groove, slathered up in East Bay Grease! The group's got a bit of the stoner funk sound that shows their Bay Area roots, but they're also a lot tighter than most of their California contemporaries, and feel ... LP, Vinyl record album
A great crossover moment for Randy Crawford – a set that's filled with catchy little numbers that really helped to break her big to a larger audience, yet still with all the jazzy class of her earlier records too! Linda and Cecil Womack contributed a number of excellent songs to the set, and ... LP, Vinyl record album
The second Warner Brothers album from Marc Sadane – every bit as great an 80s groove classic as the first! Like Marc's debut, this set's produced by the team of James Mtume and Reggie Lucas – with all the warm touches they were bringing to their own work at the time, and a similar ... LP, Vinyl record album
A bit of a change for Allen Toussaint – the kind of an album that makes good use of all the connections he was making during the early 70s, when he was becoming the darling of the Warner Brothers scene in LA. Overall, Allen's getting pretty smooth by this point – so smooth that even ... LP, Vinyl record album
The only record from this group that would sort of morph into Apollonia 6, one of many Prince vehicles during the 80s. As you'd hope from a Prince side project, the tracks here bubble with his new wave/pop/funk crossover, though really the hit "Nasty Girl" is pretty much the only ... LP, Vinyl record album
A great little album cut by Randy during the height of her career! She'd just broken big with her vocals on "Street Life" by the Crusaders – and although that track's not on here, the Crusaders team of Wilton Felder, Stix Hooper, and Joe Sample produced the album, and have given it ... LP, Vinyl record album
David Ruffin at Warner Brothers – a very good thing, thanks to some sublime production from Detroit soul legend Don Davis! As with other key productions in the 70s, Don pitches Ruffin with a sound that's smooth, but still has a great sense of humanity – a style that's a bit like late ... LP, Vinyl record album