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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Ahmad's best albums ever – a Latin-ized set of tracks done with arrangements by Richard Evans, who really knows how to make the set groove! Ahmad's flowing piano lines come into play with lots of tight percussion and big band backing – in a way that never dampens his spirit, and ... LP, Vinyl record album
One of Ahmad Jamal's best early albums for Argo – a brilliant set of live recordings, done at the Spotlite Club in Washington DC in 1958 – and with a fluid vibe that's simply incredible – one of the best true statements of Jamal's genius from the early years! The trio is ... LP, Vinyl record album
An excellent album that's a perfect document of the strong impact that Quincy Jones had in the transatlantic jazz scene of the late 50s and early 60s. The set was recorded in 1960, and features two players that Quincy would leave behind in Europe to have a huge influence on the scene. Trumpeter ... LP, Vinyl record album
A great bit of 70s electric work from Quincy – and probably his funkiest album ever! Quincy's really stepping out here from the straighter and spacier styles of earlier records – going for more of the dirty grooves he was cutting up for soundtrack albums, and hitting notes that were a ... LP, Vinyl record album
A classic "discovery" of tenor saxophonist Von Freeman – one that was already relatively late in his career, but a key appearance on Atlantic under the auspices of Roland Kirk! The setting here is as loose and laidback as Von needs to really do his thing – backing by a trio ... LP, Vinyl record album
A key later album from alto saxophonist Benny Carter – one that has him at the helm of a largeish group, but playing with a nicely focused sort of groove! In addition to Benny's alto, the record also features tenor sax from Charlie Rouse and Coleman Hawkins, plus one more alto from Phil ... LP, Vinyl record album
Stitt remembers Bird? How could he ever forget him? Seriously, though, this is a nice set of boppish material that moves past the usual "Bird" tribute. In fact, none of the stuff's by Bird, and most of the track list is a fairly non-traditional list of tracks. However, Stitt is ... LP, Vinyl record album
The first record by vibist Freddie McCoy, and one that's got much more of a straight jazz feel than some of his later Prestige albums. Feddie's vibes are set in a group with a lesser-known group of Prestige players, like Gil Askey on trumpet, Tate Houston on baritone, and James Thomas on organ ... LP, Vinyl record album
World premier recordings of some excellent compositions by Berio, including "Allelujah II", which features six mixed instrumental groups playing in a variety of settings; "Nones", which features the London Symphony Orchestra, with Berio conducting; and "Concerto For Two ... LP, Vinyl record album
Another Kane classic, with cold chillin' beats by Kane, Marley Marl, Prince Paul, Easy Mo Bee, Mister Cee, and a pre-new jack Teddy Riley. Classic middle school hip hop from the days of tall fades, dookey ropes and tongue twisting fast rap. Includes "Warm It Up Kane", "Smooth ... LP, Vinyl record album