Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Of Course Of Course

LP (Item 2874) Columbia, 1965 — Condition: Used

Key work by one of the most unique voices in 60s mainstream jazz – reedman Charles Lloyd, heard here on a set that's filled with amazing sounds, tones, and timings! The group here features Gabor Szabo on guitar – Lloyd's previous partner from the Chico Hamilton combo – plus Ron Carter on bass, and Tony Williams on drums – the latter two of whom have a great ear for the already-unusual sense of rhythm that Lloyd and Szabo picked up when working with Chico – and who also seem to bring in just a bit more "new thing" edge to the record. Lloyd plays both flute and tenor – the latter of which sounds sharper here than we remember – and titles include the cuts "Of Course, Of Course", "3rd Floor Richard", "Apex", "Goin' To Memphis", and "One For Joan". (Original 2 eye mono pressing – in great shape!)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Charles Lloyd In Europe
Atlantic, 1966. Near Mint-
Overseas excursions from the Charles Lloyd Quartet – a group who were already breaking down plenty of boundaries at home in the US! The lineup is a bit different than some of the other Lloyd sessions of the time, in that Cecil McBee is in the group on bass – adding in some wonderfully ... LP, Vinyl record album
Sorcerer
Columbia, 1967. Sealed
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... LP, Vinyl record album
Love Notes
Columbia, 1977. Very Good+
A great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-p ... LP, Vinyl record album
Miles At Newport
Columbia (Netherlands), 1956/1958/1961. Sealed
Good material, even if the set is kind of a mish-mash of older tracks! The real strength of the set is the material from 1958 – recorded live at Newport Jazz Festival, with a group that includes Miles, Coltrane, and Cannonball Adderley. Tunes from that one include "Straight No ... LP, Vinyl record album
Great Benny Goodman
Columbia, Mid 50s. Sealed
... LP, Vinyl record album
Bitches Brew
Columbia, 1969. Very Good- 2LP Gatefold
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Headhunters
Columbia, 1973. Very Good-
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is ... LP, Vinyl record album
Milestones
Columbia, 1958. Near Mint-
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
Bill Evans Album
Columbia, 1971. Very Good
A pretty sublime album from Bill Evans – one that has him playing both Fender Rhodes and Steinway, overdubbed together, for an effect that's laidback and completely wonderful! The Fender Rhodes was a natural choice for Evans – given his fluid lyrical style, and on this set (and on his ... LP, Vinyl record album
Reinforcements
RCA, 1975. Near Mint- Gatefold
A great later sleeper from Brian Auger – a record that's much deeper and more soulful than some of his earlier work – and done in a soaring style that's really great! Alex Lighterwood sings as much as Auger plays the keys here, but that's ok with us – because he fuses his voice ... LP, Vinyl record album
Summer Knows
Inner City, 1976. Near Mint-
Wonderfully lyrical work from Art Farmer – and a record that's not going to change anyone's world, but which is a continual pleasure for us! Art's kicking back in a well-selected group that includes Cedar Walton, Sam Jones, and Billy Higgins – all perfect partners for the kind of ... LP, Vinyl record album
MPS, 1976. Near Mint-
A stone classic from pianist Monty Alexander – a live date recorded for MPS in the mid 70s, and a set with even more fire than his studio sides for the label! The sound here is quite freewheeling at times – not funky, but in a very romping, gutbuckety mode that marks Alexander as a ... LP, Vinyl record album
 



⇑ Top