CD, LP, Vinyl record album cover art
Enlarge       Note

Of Course Of Course

LP (Item 2874) Columbia, 1965 — Condition: Used
(€- || £- || ¥-) (approx.)

Key work by one of the most unique voices in 60s mainstream jazz – reedman Charles Lloyd, heard here on a set that's filled with amazing sounds, tones, and timings! The group here features Gabor Szabo on guitar – Lloyd's previous partner from the Chico Hamilton combo – plus Ron Carter on bass, and Tony Williams on drums – the latter two of whom have a great ear for the already-unusual sense of rhythm that Lloyd and Szabo picked up when working with Chico – and who also seem to bring in just a bit more "new thing" edge to the record. Lloyd plays both flute and tenor – the latter of which sounds sharper here than we remember – and titles include the cuts "Of Course, Of Course", "3rd Floor Richard", "Apex", "Goin' To Memphis", and "One For Joan". (70s pressing. Cover has edge wear & a cut corner.)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Love-In
Atlantic, 1967. Very Good
A classic batch of modal grooves from Charles Lloyd – recorded during the height of his mind-expanding years, with his famous quartet that included Keith Jarrett on piano and Jack DeJohnette on drums! The tracks are long and magical, done with that spiritual spiraling sound that Lloyd was ... LP, Vinyl record album
Killer Joe
Columbia, 1977. Very Good+
A fantastic album from tenor legend Benny Golson – one in which he reinvents his sound for the 70s, but still keeps all the tight sense of arrangement we loved in his earlier work! Benny's going for a funky jazz groove on most cuts – a bit clubby, in a Kudu Records mode – with a ... LP, Vinyl record album
Milestones
Columbia, 1958. Very Good+
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
Atlantis
Columbia, 1985. Very Good+
... LP, Vinyl record album
Bitches Brew
Columbia, 1969. Very Good 2LP Gatefold
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Captain Marvel
Columbia, 1972. Very Good+
A wicked album that's one of Stan Getz's best from the 70s! The record features Stan reunited with Chick Corea, whose warm lyricism was the lynchpin in Getz's landmark Sweet Rain – the stunning session from 1968 that is perhaps our favorite-ever Getz album. Corea plays electric piano here, ... LP, Vinyl record album
Benson Burner
Columbia, Late 60s/1976. Very Good 2LP Gatefold
A 2LP set that features some great early groovers from George Benson – cut for Columbia back in the late 60s, when George was fresh out of Jack McDuff's classic combo, and grooving on his own with the help of organist Lonnie Smith. These tracks have gotten pretty hard to find on vinyl over ... LP, Vinyl record album
Black Market
Columbia, 1976. Near Mint-
A new chapter in the sound of Weather Report – but one that's still equally classic! Founding members Wayne Shorter and Joe Zawinul are joined here by Jaco Pastorius on bass, Chester Thompson on drums, and Alejandro Acuna on percussion – and Pastorius especially helps bring a lot of ... LP, Vinyl record album
Solo Flight (10 inch LP)
Columbia, Early 50s. Good+
Titles include "Cocktails For Two", "It Don't Mean A Thing", "Chopin Impressions", and "Willow Me". LP, Vinyl record album
Now You Know
Columbia, 1987. Near Mint-
... LP, Vinyl record album
Columbia, 1978. Very Good
Great stuff from Benny Golson! Sure, the record features Benny's tenor set amidst some sweeter R&B arrangements – but the formula works nicely, and is Benny's lost bid to capture some of the same sort of modern soul excitement than Donald Byrd was getting in the 70s. Titles include the ... LP, Vinyl record album
Inner City, 1976. Near Mint- 2LP Gatefold
One of Sun Ra's best non-Saturn live sets of the 70s – a nice little record that shows the group mixing it up with equal parts avant garde and straight ahead jazz, all handled in that ever-growing large group style that made them a real force to be reckoned with in a concert setting! The ... LP, Vinyl record album
 



⇑ Top