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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Features Ella Fitzgerald on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles Mingus, Tal Farlow ... LP, Vinyl record album
An unusual Verve date from Roy Eldridge – a sweet 10 inch album that has Roy's trumpet backed by the Oscar Peterson trio – on titles that include "Echoes Of Harlem", "When It's Sleepy Time Down South", "Somebody Loves Me", and "Willow Weep For Me". LP, Vinyl record album
Beautifully spare work from Oscar Peterson – an album that mostly features him in duet formation with Ray Brown's bass, in a style that's got even more space and openness than some of his other Verve sessions from the time. Peterson's got a way around the keys that's amazing even at this ... LP, Vinyl record album
Flip Phillips had plenty of great moments on Verve – but some of his best seemed to come when he was working with Buddy Rich, who always seem to spur him on to even greater heights! This set may be one of their best moments together – a wonderfully spare date that just features Buddy ... LP, Vinyl record album
Great early work from Oscar Peterson – recorded during his first few years with Norman Granz, and in an extremely spare style that only features added bass accompaniment on most tracks! The record's virtually a solo session – cut with a style that's got the energy of Bud Powell, mixed ... LP, Vinyl record album
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... LP, Vinyl record album
Titles include "Stardust", "Where Or When", "Stay As Sweet As You Are", "The Very Thought Of You", "I Don't Stand A Ghost Of A Chance", and "Someone To Watch Over Me". Nice David Stone Martin cover, too! LP, Vinyl record album
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums ... LP, Vinyl record album
Maybe one of the most famous records ever from master drummer Art Blakey – in part because of the cover, which has come to stand for the Blue Note aesthetic of the 60s! But despite that famous image, the music is more than worthy of attention – as the group features that unusual sextet ... LP, Vinyl record album