This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Although the name of George Wein is usually associated with some super un-hip trad jazz projects, this album's actually a pretty cool batch of grooves that matches Wein's older jazz tendencies with some newer styles of playing – and some good electric instrumentation on the best cuts. The ... LP, Vinyl record album
Excellent late 50s work by Milt Jackson for Atlantic! Bags & Flutes is very much in the style of Milt's classic Savoy sides from the preceding couple of years – mixing together his jazzy vibes with light lilting solos on flute, either by Bobby Jaspar or Frank Wess, Milt's old compatriot ... LP, Vinyl record album
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast ... LP, Vinyl record album
Conducted by John Lewis and including John Eckert, Virgil Jones, Bob Millikan, Marvin Stamm on trumpets, Eddie Bert, Jimmy Knepper, and Benny Powell on trombones, Norris Turnery on alto, soprano, and clarinet, John Purcell on alto and clarinet, Bill Easley on tenor and clarinet, Loren Schoenberg on ... LP, Vinyl record album
A great little Sonny Stitt album – very different than any of his other sets from the 60s! The album has a number of interesting aspects – from hard-wailing organ by Wilmer Mosby (who we think is Don Patterson under a fake name), to some screaming guest work by Rufus Harley and Robin ... LP, Vinyl record album
Fairly decent jazz session, and one in which Ray plays alto sax and electric piano, along with his usual acoustic piano. Milt Jackson is on vibes, of course, and the rest of the group includes Kenny Burrell, Percy Heath, and Art Taylor. Titles include "Soul Meeting", "X Ray ... LP, Vinyl record album
It's a bit too far into the 80s for Bobby to sound as great as he did on his earlier Capitol albums – with keyboards that are a bit stiff, and not enough acoustic playing next to the electric, in order to give the album a bit of heart. There's some decent enough numbers in a smooth jazz mode ... LP, Vinyl record album
A record that's full of many surprises – one of which is the sweet lead vocals of Cissy Houston! Houston works here in a style that merges nicely with the jazzy currents of Herbie Mann – at a level that's different than other soul/fusion sets of the time – like work on CTI or ... LP, Vinyl record album
An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working ... LP, Vinyl record album
A landmark album by Donald Byrd – the first one where he really started to click with jazz-funk producer Larry Mizell! Mizell and Byrd had worked together previously on the Black Byrd album – a soaring bit of futuristic jazz funk that took Byrd's career to a whole new level – but ... LP, Vinyl record album