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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An excellent non-US album from Stan Getz – and a real rarity too! The group here is the same one that recorded the soaring Captain Marvel album – and features excellent keyboards from Chick Corea – really stretching out alongside some wailing solos from Stan! Really beautiful ... LP, Vinyl record album
A classic Prestige LP that compiles earlier sides by Getz – four tunes from a 1949 session recorded under Stan Getz & His Four Brothers, with Zoot Sims, Al Cohn, Allen Eager, and Brew Moore – all blowing with Getz in a real "brothers-like" sax section sound. The remaining ... LP, Vinyl record album
Hodges leads a large group of Ellington players that includes Willie Cook, Clark Terry, Cat Anderson, Jimmy Hamilton, Harry Carney, Ray Nance, and Jimmy Woode. The overall sound has that Ellington-minus-Ellington, plus-Hoges feel of similar Verve sessions like these – with lots of nice ... LP, Vinyl record album
A surprisingly great meeting between Kenny Burrell and Jimmy Smith – and a set that's one of Jimmy's standout small combo sessions for Verve! The feel here is much more Jimmy Smith at Blue Note than some of the bigger group Verve dates of the 60s – and Kenny Burrell's sensitive guitar ... LP, Vinyl record album
Jazz At The Philharmonic material from 1952 featuring Eldridge and Shavers on trumpet and Lester Young on tenor – with Benny Carter on alto, Flip Phillips on tenor, Oscar Peterson on piano, Berney Kessel on guitar, Ray Brown on bass, and Buddy Rich on drums – on three long tracks that ... LP, Vinyl record album
Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the ... LP, Vinyl record album
50s recordings by Hampton and big band – from 1951 with sidemen that include Benny Bailey, Idrees Sulieman, Quincy Jones, and Walter Williams on trumpets; Jimmy Cleveland, Al Grey, and Benny Powell on trombones; Bobby Plater and Jerome Richardson on alto, Milt Buckner on piano and organ; ... LP, Vinyl record album
Solo work by Bill Evans – recorded in 1968, at a time when he was increasingly exploring gentleness in his work! The album's quite haunting – done with no other musicians, no overdubs (as in other solo 60s albums) – just Evans alone at the keys, expressing himself with a somber ... LP, Vinyl record album
Basie was getting all over the place during the 50s – and this set's a great little concert recorded in London! The album's classic Basie for Verve – with Joe Williams on vocals on 3 tracks, and a tight group that includes Thad Jones, Joe Newman, Benny Powell, Matthew Gee, and Frank ... LP, Vinyl record album