This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A very different version of this than the usual one – as the set features twelve tracks, but all presented in special Quad mixes! Titles include "Respect", "Rock Steady", "Spanish Harlem", "I Say A Little Prayer", "Call Me", "Bridge Over ... LP, Vinyl record album
Pretty great stuff by Aretha – despite what the pro-Atlantic Records books say! The record is one of the first she cut with John Hammond at Columbia, and although it's not in the classic soul mode of the Atlantic sessions, it's a darn nice batch of bluesy jazz tracks that would still stand ... LP, Vinyl record album
Aretha Franklin's definitely growing into her role as a soul sister here – a later date for Columbia Records that hints a bit at the sounds to come on Atlantic! Backings are by Robert Mersey and Belford Hendricks – both of whom use some relatively full orchestrations and occasional ... LP, Vinyl record album
A well-done showcase of Aretha's best early work for Atlantic Records – a collection that really gets at the deepest soul side of her style, and focuses on the transformation of sound that occurred when Franklin moved over to the label from Columbia. The set's overflowing with greatness ... LP, Vinyl record album
The birth of Aretha Franklin's soulful sound – a real change from the jazzier sound of her first two albums for Columbia, and a set that really shows some great sides of her talents! Arrangements are by Belford Hendricks, who creates an uptown-styled sort of sound – one that has fuller ... LP, Vinyl record album
A great little record from Aretha – and on that always seems to get overlooked! The album's arranged by Gene Page, and it's got a sweet slightly funky electric side that opens up a whole new side of Aretha's style. Includes the nice groover "Mr DJ (5 For The DJ)", plus the cuts ... LP, Vinyl record album
Aretha's tour of the south continues – recording here at Atlantic's new home in Miami, with studio work from The Dixie Flyers, Dave Crawford, Roger Hawkins, Duane Allman, and Eddie Hinton – all very much in the tradition of the Muscle Shoals work that supported Aretha on earlier ... LP, Vinyl record album
A completely cooking little live set from Aretha Franklin – and a crowning moment not just in her career, but for Atlantic Records soul in general! Aretha's working here before a very enthusiastic crossover crowd at the Fillmore West in San Francisco – getting tight backing from the ... LP, Vinyl record album
A nice selection of late 60s soul and R&B titles off the Atlantic roster: Aretha Franklin "I Never Loved A Man (The Way I Love You)", Wilson Pickett "Land Of 1000 Dances", Joe Tex "Hold What You've Got", Arthur Conley "Sweet Soul Music", Esther Phillips ... LP, Vinyl record album
Maybe not as "street" as you might think from the group's name – or from the fake graffiti on the cover – but a pretty nice little mainstream soul album, and one that's almost a precursor to later New Jack sounds to come! The group's a trio – Sandi Alexander, Paul ... LP, Vinyl record album