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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Mucho cha cha here – the reigning rhythm on the New York Latin scene at the end of the 50s – played by Tito Puente and group with some nicely jazzy styles! The combo features some excellent horn work alongside the percussion – both sax and trumpet sections, plus some leaner flute ... LP, Vinyl record album
Noro Morales' most ambitious recording, and a beautiful reading of Ernesto Lecuona's extended Afro Cuban Suite! The suite spans both sides of the album, and is done here in a beautiful orchestral intervweaving of Latin themes, with arrangements by George Siravo, and piano by Noro, who also leads ... LP, Vinyl record album
One of Tito Puente's finest albums for RCA, with a tight hard bunch of cuts that have a Cuban big band sound, and a lot more drive to them than some of Tito's other work for the label. Ray Bryant wrote the great track "Cuban Fantasy", and Tito contributed most of the other tunes on the ... LP, Vinyl record album
It's easy to cha cha when Tito Puente's in the house – especially when he's working in his near-perfect RCA mode of the late 50s! The tunes are nothing fancy, but the execution is sublime – tight Latin rhythms at the bottom, done in a way that's never too bombastic – topped with ... LP, Vinyl record album
A fantastic session of jazzy instrumental Rhumba tracks – played with lots of excellent saxophone flourishes, and a tight percussive groove that never gets to soppy. This is one of the best of the RCA Latin sides from the late 50s – and it's a no-nonsense album that features a tight ... LP, Vinyl record album