CD, LP, Vinyl record album cover art

Rib Tips & Pig Snoots -- Rare & Unreleased Au Go Go Soul 1965-1971

LP (Item 27674) Soul Tay Shus/Tuff City, 1967–1969 
Out Of Stock

LP, Vinyl record album


...

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Night Grooves
Fantasy/BGP (UK), 1978. New Copy (reissue)
A great album of funky dancefloor tunes! Originally issued in 1978, and clearly for the New York dancefloor crowd – the record takes the earlier work of funk group The Blackbyrds, and remixes the tracks slightly to pump up the groove a bit for the dancers. While the approach might not sound ... LP, Vinyl record album
Superfunk
BGP (UK), 1973/1996. New Copy (reissue)
One of Funk Inc's greatest albums – and a really tight batch of funky tunes given some stellar production by David Axelrod! The band's a bit tighter than on earlier releases – leaving behind the hard jazz-jam sound for a more together soul-oriented one, heard to best effect on the ... LP, Vinyl record album
This Is Eleanore Mills
All Platinum/Soul Brother (UK), Early 70s. New Copy (reissue)
The only album ever cut by Eleanor Mills – and a female soul treasure from the 70s that we've totally loved for years! Eleanor has a style that's partly deep soul, but she often works with some of the sweeter soul tendencies of the east coast scene at the time – no surprise, as she ... LP, Vinyl record album
I'll Give My Heart To You
Slammin/Tuff City, 1980. New Copy (reissue)
Underground boogie from Carl Marshall – an artist who strongly carries a 70s funk vibe into the 80s – all with a very sharp sound overall! The set was recorded in Knoxville, but feels much more like New York funk of the time – played by a combo with a razor-sharp approach to ... LP, Vinyl record album
For You
Warner, 1978. New Copy (reissue)
Compelling early work from Prince – with a host of influences present on the surface, showing more clearly from whence he developed his unique sound. There's a bit of the record that reminds us of Shuggie Otis mid 70s output, and other tracks show that Prince had been paying attention to the ... LP, Vinyl record album
Outta Sight (UK), Late 60s/Early 70s. New Copy
A stunning set of rare soul from the glory days of the Northern Soul years – and even more amazing because none of these tunes were ever issued at the time! Yet these aren't second-hand cuts that have lain in the vaults, nor the dregs of good recording sessions – and instead, these are ... LP, Vinyl record album
Funky Delicacies, 1970. New Copy 2 LP Gatefold
Unreleased material by Ike & Tina Turner – hard, funky, and very fierce! The sound here is similar to some of the pair's more famous albums of the time – but it's also rawer and rootsier, as befits the demo status of these recordings. If you've ever gotten turned off by the ... LP, Vinyl record album
Flying Dutchman/BGP (UK), 1971. New Copy Gatefold (reissue)
Our favorite-ever album from Gil Scott-Heron – and a set that we'd easily rank as one of our favorite soul records of the 70s! The mix of modes is mindblowing right from the start – as Gil's poetry comes into play with his growing talents as a singer, and his warm sensibility for jazz ... LP, Vinyl record album
Human Egg
Favorite (France), 1978. New Copy (reissue)
Freaky fuzzy club music from the legendary Jean-Pierre Massiera – a weird and wild blend of funky rhythms, spacey electronics, and some of the most mindblowing production you'll ever hear! The grooves are plenty tight, but also stretch out nicely to the sky, too – almost taking on a ... LP, Vinyl record album
Outta Sight (UK), Late 60s/Early 70s. New Copy
A hotbed of soul tracks that played big at the legendary Golden Torch – one of the most famous hotspots for Northern Soul on the British scene at the end of the 60s! But as with the best Brit clubs of its type, the music here is all American – a choice collection of under-discovered ... LP, Vinyl record album
Flying Dutchman/BGP (UK), Early 70s. New Copy Gatefold
A really tremendous album from the legendary Gil Scott-Heron – and a set that stands as one of his greatest statements from the 70s! The record is a wonderful example of Gil's work in two different styles – sweet mellow jazzy soul, and harder heavier protest poetry – the latter ... LP, Vinyl record album
Funky Delicacies, 1969. New Copy (reissue)
Great stuff – and the only truly funky album that Ike Turner ever recorded! This set's a batch of obscure funky instrumentals – and sounds like a strong compilation of rare 45s, filled with hard funky drums, nice breaks, and plenty of super-tight grooves. Nearly every cut's a winner ... LP, Vinyl record album
 



⇑ Top