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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Julie London's wildest albums – and one of her sexiest too! The record has Julie running through the calender – singing a song a month, dedicated to January, February, March, and so on – a really great concept for a record like this, in ways that set the album apart from ... LP, Vinyl record album
Hip early work from Julie London – with full jazz orchestra backing by Russ Garcia, whose soundscapes are perfect for that dreamy style of singing she was using at the time – a blend of the sublime and sad, floating along with almost effortless ease, but hiding a huge wellspring of ... LP, Vinyl record album
A beautiful little vocal set – and not nearly as gimmicky as you'd expect! The album's "presented" by Martin Denny, but overall it's a pretty straight jazz set – featuring vocals by Japanese/Hawaiian Ethel, sung in a cool and moody style that's got lots of 50s west coast ... LP, Vinyl record album
Don't miss this one! For years, we passed this one by, thinking it an impure version of the great jazz duo Jackie & Roy. Now, though, we realize that it's one of their masterpieces, and takes their hip vocal sound into a new dimension, with cool L.A. production from the late 60's, and some ... LP, Vinyl record album
A key early moment for Nina Simone – recorded live at Newport in 1960, at a time when the festival was one of the most important showcases for groundbreaking jazz – and a perfect setting for Nina to really let loose in that righteous style that would fuel her career during the 60s! ... LP, Vinyl record album
A great little record by Bobby – recorded hot on the heels of his big hit recording of "If I Were A Carpenter", and with a surprising respect for Tim Hardin and a lot of the other young songwriters of the post-folk years. Keep in mind that Darin was really feeling his mortality at ... LP, Vinyl record album
A great early set from singer Ernestine Anderson – material recorded in Sweden with a sound that's even more sweetly swinging than some of her American albums of the time! The backings on most tracks are by Harry Arnold – one of the hippest Swedish leaders of the time, and an arranger ... LP, Vinyl record album
A classic set by Nancy, set to arrangements by Billy May, and mostly featuring an assortment of standards, all done by Wilson with that sophistisoul touch that made her work so great! The real standout here is the impeccable "Guess Who I Saw Today", one of those tunes that Nancy takes ... LP, Vinyl record album
Ann's a more lustily voiced singer than the sort that usually worked with Stan Kenton during the 50s – with a deep range in her delivery of a song, and a mode of singing that's a bit more unbridled than you'd expect for someone working under Stan. This set's a lot more Ann's album than it is ... LP, Vinyl record album
One of Mose's best early albums – even though he hardly gets a chance to sing on it! The album features some great work by Allison's trio of the time – Addison Farmer on bass and Ronnie Free on drums – simple piano-driven groovers, performed with a slight gutbuckety approach, and ... LP, Vinyl record album