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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sharp-edged early bop material from a very hip sextet – one that features both Howard McGhee on trumpet and Milt Jackson on vibes – plus a very young Jimmy Heath on alto and baritone sax! LP, Vinyl record album
Older Bird material – originally recorded as 78rpm releases for Savoy, packaged up here in full LP form, along with alternate takes and a great cover, in the years after his early death. Titles include "Red Cross", "Sippin At Bells", "Little Willie Leaps", " ... LP, Vinyl record album
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session ... LP, Vinyl record album
One of the father-reaching jazz musicians of his time, AK Salim was always trying to create albums that had a more "tied together" approach than some of his contemporaries' albums – especially those on the Savoy label, where Salim recorded most of his best work! This approach ... LP, Vinyl record album
An interesting piece of modernist jazz – recorded by a quartet that features vibist Jack Brokensha, in a lineup that includes piano, bass, and drums. Brokenshaw's originally an Australian player, but he's working here with a group that he hooked up with in Detroit, where he was working ... LP, Vinyl record album
A great little set from Milt Jackson – not just for his work on vibes, but also for some great tenor from Lucky Thompson! Thompson's raspy edge brings a nice degree of soulfulness to the set – a sound that adds depth to the sometimes mellower moments set down by Jackson and the rhythm ... LP, Vinyl record album
One of the few albums ever issued as a leader by Phil Urso – a bright young tenor star in the 50s, known for his work with Chet Baker and Stan Getz! The album features Urso in 3 different settings – one with Getz alumni that include Bob Brookmeyer and Horace Silver, grooving hard on ... LP, Vinyl record album
Early and brilliant work by the MJQ – recorded at a time when the combo's idea was quite unique, and when its execution was still filled with a lot of creative energy! The group, of course, features the core duo of Milt Jackson and John Lewis – and bass chores are handled by either ... LP, Vinyl record album
One of the few albums issued under the name of bassist Slam Stewart – and a great testament to the genius of the player on his instrument in the days after his work with Slim Gaillard! The style here is much straighter jazz than Slam's work with Slim – and the numbers are mostly in a ... LP, Vinyl record album