Azar Lawrence : People Moving (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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People Moving

LP (Item 26815) Prestige, 1976 — Condition: Near Mint-
Stellar reed work from Azar Lawrence – a player who's best known for his acoustic revival in recent years, but who could play with some excellent electric backings during the 70s! The set's less an electric funk outing than it is a spiritual jazz set, with keyboards and guitar in the mix – beautifully put together by the young Skip Scarborough, with a feel that's very similar to Gary Bartz's work with Larry Mizell! Azar's reeds are wonderful – soaring, searching, in a style that's inspired by Coltrane, but with a more direct focus – again like Bartz, or maybe a bit like Hadley Caliman too – and the record features strong work from a lineup that includes Patrice Rushen on keyboards, Lee Ritenour on guitar, Paul Jackson on bass, and Harvey Mason on drums. The whole thing's got a great Fantasy Records funk groove – and includes many nice titles like "Theme For A New Day", "Kickin Back", "Canticle For The Universe", "Gratitude", and a great take on Scarborough's "Can't Hide Love".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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