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Annie Ross & Pony Poindexter With The Berlin All Stars

LP (Item 26482) Saba (Germany), 1966 — Condition: Near Mint-
Gatefold

Although Annie Ross kind of dropped off the radar screen of most Americans after she dropped out of Lambert, Hendricks, & Ross – she still was cutting great music overseas, although not as often as before. This excellent set features her in the company of some great American ex-patriots – like Pony Poindexter (a longtime cronie of LHR), Leo Wright, and the great Carmell Jones. The group is extremely tight, and Poindexter's soulful alto and soprano solos make the album totally worth having, even if you're not a fan of Ross. She's pretty darn fantastic too, though, and her sweetly swinging vocals are filled with a warmth and maturity that you don't always find on her earlier recordings. The record includes a sublime reading of Miles Davis' "All Blues", with a stunning solo by Poindexter – as well as the tracks "Home Cookin", "Moody's Mood For Love", and "Twisted", done in a nice 7 minute version, much longer than the original.  © 1996-2019, Dusty Groove, Inc.
(Japanese MPS pressing – in a heavy gatefold cover!)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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