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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
It's the third volume, but there's still plenty of hits left – thanks to the legendary 60s run of Diana Ross & The Supremes at Motown! Arrangers include Henry Cosby, Paul Riser, and Wade Marcus – and most of the tracks are from the later years of the original trio – with ... LP, Vinyl record album
Thelma's one of those singers who must have been waiting years for disco to come around and help her find a reason to sing! Her career was slightly ill-timed in the beginning, coming along with a baroque soul beginning that was great, yet somewhat out of place in the early 70s. But enter a record ... LP, Vinyl record album
Sort of a disco effort from Motown, featuring a group led by keyboardist Michael L. Smith, and featuring David T. Walker, Sonny Burke, James Gadson, Lee Ritenour, and Roland Bautista. The tracks are long dancefloor cuts, with a bit of a space disco sound, and titles like "Space Dance", ... LP, Vinyl record album
Titles include "Walk Away From Love", "Ain't Too Proud To Beg", "Everything's Coming Up Love", "(I Know) I'm Losing You", "My Whole World Ended (The Moment You Left Me)", "You're My Piece Of Mind", "My Girl", "Just Let Me ... LP, Vinyl record album
The Dazz Band are in a definite hot spot here – the group's final album for Motown, and a record that's filled with the kind of catchy crossover funk they did better than most! The set snaps into a groove right from the very first note – with that electro funk that Motown served up big ... LP, Vinyl record album
The Four Tops weren't the first of the Motown groups to get the broadway treatment, but they do a pretty nice job with it! Thanks to some swinging help from producer Frank Wilson, the quartet manage to still shine even though they're shackled with a set of tunes from over-blown broadway shows of ... LP, Vinyl record album
The second album of groovy, spacey, fusiony soul from Mandre, ne' Andre Lewis. While not quite as sublime as the first LP, this one's still got lots of nice synth-y touches, and solid grooves mostly taken at medium tempo, though with a bit of a nod towards the prevailing disco trends of the day. ... LP, Vinyl record album
An obscure little funky group from Flint, Michigan, one with a tight ensemble sound that's very much in the Earth Wind & Fire mode – complete with a really great horn section, plenty of bass-heavy grooves a the bottom, and a relatively spiritual feel that comes through strongly on the ... LP, Vinyl record album
Hard to find a stronger early album by Sly – as this one has him still funking hard, but also getting his soul bag together a bit more, hitting some really righteous vibes that mix together politics and partying in an incredibly seductive way. The album's filled with anthemic numbers like ... LP, Vinyl record album