Johnny Hammond's hitting on all burners here – shaking off the heavier sound of his past, and stepping right into the best modes of the Prestige Records jazz funk years! The album's got a rock solid groove that's in the Bob Porter production vein for Prestige – tightly snapping rhythms at the bottom, with a simple no-nonsense groove that's usually plenty darn funky – and which seems to free all players into territory where they can really open up with their solos! Drums are from the mighty Bernard Purdie – and the rest of the lineup includes Rusty Bryant or Leo Johnson on tenor, Virgil Jones on trumpet, Wally Richardson on guitar, and Jimmy Lewis on Fender bass. Tracks are longish – and titles include "Johnny Hammond Boogaloo", "Black Feeling", "Kindra", and "Dig On It". (Purple label pressing. Cover has some wear and a cutout hole.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.