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LP (Item 2639) Decca, 1970 — Condition: Near Mint-

An excellent comeback album from the great Clyde McPhatter! The record was recorded in 1970, after Clyde had spent some time in Europe, kicking about and getting his head together. Clyde's vocals are as great as ever – and the backings are sublime, some of the best he ever received! The album's produced by the team of Norman Harris, Ronnie Baker, and Earl Young – and the trio also handled most of the arrangements, in that sweet late 60s style that was working such magic with Archie Bell & The Drells over at Atlantic. The standout cut on the album is "The Mixed Up Cup", a great soul number that begins with an excellent drumbreak that then goes into the sound of a cup being filled with water! Apart from that sound effect, though, the real strength is Clyde's voice, which is sweet, soulful, and honest on just about every track. Titles include "I'll Belong To You", "If You Only Knew", "Mr Heartache", "A Mother's Love", "Book Of Memories", "Someone To Believe In", and "Please Give Me One More Chance".  © 1996-2020, Dusty Groove, Inc.
(Cover has light wear and aging, with a promo ink stamp and some writing in pen on back.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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