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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Full throttle fusion from Billy Cobham, the kind of stuff we once winced at because of the really over the top moments of heavy, heavy jamming, but that we find ourselves more sympathetic to these days, probably for the more sublime moments that poke through the onslaught here and there, including ... LP, Vinyl record album
A stone classic from Roland Kirk – and a record that beautifully balances his modern ideas and playful energy – as you might guess from the title! While posing as the "whistleman", Roland's also pushing the boundaries of jazz a few steps forward too – not just in modern ... LP, Vinyl record album
The music's hand made, but the sound is heavily electric – thanks to some great production work that further pushes the spacier sound of the group! As with other Passport records, Klaus Doldinger's working here not just on saxes (which are great), but also on moog, electric piano, and ... LP, Vinyl record album
The mighty Jean Luc Ponty in all his 70s glory – taking the violin from the realm of more staid European jazz roots, and using it to rival some of the bigger fusion soloists of the decade! Ponty's key here is the way he uses the electrified instrument almost like a keyboard – spinning ... LP, Vinyl record album
Great work from bop legend George Wallington – one of the last records in an initial run of 50s strengths from the pianist – and a set that features some great original compositions of his own! The set's a bit unusual for Atlantic Records at the time – almost more of a Prestige ... LP, Vinyl record album
A massive batch of funky soul jazz – the Second Movement (to the first album Swiss Movement) of the collaboration of Eddie Harris and Les McCann! The vibe here is even freer, and hipper, than on the first set – with a host of long tracks that have Les really working the Fender Rhodes ... LP, Vinyl record album
A heck of a great little record – one that shouldn't work so well, but it does! For the set, Sonny Stitt's blowing in front of a larger brass section – and while the prospect of a Sonny Stitt big band record might not sound that great at first, this one really kicks, largely because of ... LP, Vinyl record album
A seminal electric session from Charlie Mariano – one recorded after his shift from bop-based work into trippier, more psychedelic influences – and one of his few American dates from the time! The record has Charlie working on soprano and alto sax, with a group that includes Pat ... LP, Vinyl record album
The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative ... LP, Vinyl record album
Dizzy's in Greece, looking very cool in a fez on the cover – and really wailing hard with a larger group that includes Billy Mitchell, Charlie Persip, Lee Morgan, Wynton Kelly, and Phil Woods! The mode here is still quite boppish, despite the larger size of the ensemble – but Dizzy ... LP, Vinyl record album
Sessions like this are proof that Jimmy was one of the most fantastic organ players ever – as his work with large arrangements (supplied here by Claus Ogerman) always seems to groove better than his work with small combos. His sound is impeccable, and he soars ahead of the rest of the ... LP, Vinyl record album