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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Classic hard-wailing organ from Jimmy, pressed up nice and loud on this original Sue album. Most of the cuts are short, with the deep R&B groove that made his best Sue records really work. Titles include "Sho Nuff", "Turn Blue", "Bump De Bump", "Cash ... LP, Vinyl record album
A classic live set by McGriff – freer than some of his other singles for Sue, with an open-ended quality that really lets him do his thang! His group includes Larry "The Lar With The Flair" Frazier on guitar – a semi-mad talent from Chicago, inspired by George Freeman, and ... LP, Vinyl record album
Groove Holmes and Jimmy McGriff go head to head in this double-organ extravaganza! The set was recorded live in Boston in 1973, and it features some of the most furiously funky live organ grooving you'll find this side of Root Down – and a whole lot of super tight jazz jamming! The group's ... LP, Vinyl record album
One of the more laidback albums from George Freeman's early 70s run – but still a great little set that shows the mellower side of his talents! Despite the sexy style of the cover, the sound here is relatively straight soul jazz – small combo work with Harold Mabern on acoustic piano, ... LP, Vinyl record album
Goodbye Yesterday, hello 70s – as Lucky Thompson plays wonderfully here in a mode that's quite different than his early years – working in a cool group that includes Cedar Walton on electric piano and celeste, Larry Ridley on bass, and Billy Higgins on drums! While most cuts are ... LP, Vinyl record album
A killer electric piano jam from the great Mike Longo – stone funky, and one of his best albums ever! The whole thing's done in a really laidback style that's simply amazing – a lot like the best CTI work of the time, but somehow rougher, and with a darker edge. Longo riffs out on the ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Early pre-Blue Note hardbop by Jackie McLean – and one of the few recordings to feature his sextet with Ray Draper! Draper was a real legend in late 50s jazz – a tuba (?) player, believe it or not, with a sound that was dark, brooding, and very modern – very unlike you'd expect ... LP, Vinyl record album
One of the greatest records ever cut by organist Billy Larkin – a lean, mean batch of soul jazz instrumentals, recorded with the Delegates combo, featuring tenor work by a young Fats Theus! The tracks are short tight jazz dancers – with a mixture of stepping grooves and some more full ... LP, Vinyl record album
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky ... LP, Vinyl record album
Very tasty stuff indeed – one of the few rare sessions cut for Prestige by Chicago pianist John Wright – a very soulful player who emerged from the Windy City at the end of the 60s! Wright's got a really fluid style here – one that nicely links some of the uptown class of Ahmad ... LP, Vinyl record album
Classic mellow Jug – from a time when Prestige discovered that Gene Ammons would sell equally well to the mellow jazz crowd as to the jukebox jumpers. Most of the cuts feature Gene with a deep soulful tone that could qualify as "velvet", but which still has enough of a rough edge ... LP, Vinyl record album