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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A key later session from the Art Ensemble Of Chicago – a record that gained them global exposure through the ECM label, and which has them working in a beautifully subtle sense of sound, space, and tone! The work is less all-out challenging than some of the group's earliest recordings – ... LP, Vinyl record album
A beautifully personal album from Ralph Towner – a set that's maybe got more going on than just a diary – as the whole thing has a very poetic approach to the sound, one that's really in keeping with the new modes of expression that Towner helped bring to ECM! There's a bit of overdub ... LP, Vinyl record album
Two of the greatest things going for ECM in the 70s – brought together on one record! The vibes of Gary Burton are a wonderful match for the careful guitar work of Ralph Towner – particularly his 12-string guitar, which is used in a space that's somewhere between folk and jazz, and ... LP, Vinyl record album
Recorded in the Cathedral Of Ulm, with Elmar Daucher, Gunther Federer, and Nobuko Micus on resonating stones, with Stephan Micus playing shakuhachi, tin whistle, and stone chimes. LP, Vinyl record album
The best Keith Jarrett spirit of the 70s – those long, exploratory lines he virtually invented on solo piano – performed here by pianist Dennis Russell Davies! The set's one of the warmest we've ever heard from Davies – as he spins out on two side-long interpretations of this ... LP, Vinyl record album
The Oregon sound, still alive and well into the 80s – perhaps given even more room to express itself in an ECM setting like this! The album's a mix of angular notes and warmer tones – very much the experimentalism that the group prided itself on at the time – and which really set ... LP, Vinyl record album
The groovy off-kilter arranger from the Kenton band lays down some cool, but oddly orchestrated stuff in a setting with a big, fat bottom of 10 saxes and 2 basses. Tracks include "2 Funky Basses", "Contrasts", "Saxophobia", "Holiday For Strings", "Guy ... LP, Vinyl record album
One of the grooviest records that Steve Allen ever cut – thanks largely to some hip arrangements from the mighty Oliver Nelson! The set's definitely a collaborative effort – especially as it's got a vibe that has Nelson really overtaking Allen's usual strong lead – still letting ... LP, Vinyl record album