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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A great little session – and a meeting that was one of the best things to happen to the Oscar Peterson trio during the 50s! Stan's tone fits perfectly with the group here – and his playing next to the guitar of Herb Ellis recalls many of the fine strengths of the early 50s Getz sides ... LP, Vinyl record album
One of Stan's great early Concord albums – a surprisingly great period for his playing! The group here features James McNeely on piano, Marc Johnson on bass, and either Victor Lewis or Billy Hart on drums. LP, Vinyl record album
One of the best later moments from the great Stan Getz – a set we might even place on the same level as his 60s work for Verve – and certainly at the same par as his records in the 70s for Columbia! Yet this set is quite different than that latter batch – as it has Getz really ... LP, Vinyl record album
Stunning early work from Stan Getz – the kind of simple but breathtaking sides that he cut before any of his later fame – in a mode that made him one of the most inventive talents on the tenor sax! Stan's caught here right past the first flurry of initial time in the studio – ... LP, Vinyl record album
Beautiful early bop material by Getz – recorded at Storyville with a crack little combo that includes Al Haig on piano and Jimmy Raney on guitar. The Raney/Getz sound is a great one – with Raney's jangly guitar notes providing a nice edge for Getz's smoother alto. Titles include " ... LP, Vinyl record album
Beautiful early bop material by Getz – recorded at Storyville with a crack little combo that includes Al Haig on piano and Jimmy Raney on guitar. The Raney/Getz sound is a great one – with Raney's jangly guitar notes providing a nice edge for Getz's smoother alto. Titles include " ... LP, Vinyl record album
A beautiful bit of lost Getz from the 60s – a record of incredible depth that's somehow gotten lost in the shuffle of time! The album has Stan playing at Tanglewood with a core group that includes Gary Burton, Jim Hall, Steve Swallow, and Roy Haynes, plus musical backings by the Boston Pops ... LP, Vinyl record album
A rare treat – 2LPs worth of material by Johnny Hodges, recorded at the end of the 50s, but never issued until this late 70s set! The first disc features a 1959 session, with players that include Harold Baker, Quentin Jackson, Ben Webster, Jimmy Hamilton, and Jo Jones – accompanying ... LP, Vinyl record album
One of the most unusual albums in the career of trumpet legend Chet Baker – done at a time when he was definitely going through some changes in his life, which also led to some changes in his music too! This set's not unlike a similar date that Stan Getz did for Verve around the same time ... LP, Vinyl record album
Great large group material from Gerry Mulligan – and a record that definitely defines the sound of his famous Concert Jazz Band of the early 60s! The group features a four part sax section – headed by Mulligan, with other players that include Zoot Sims on tenor, Gene Allen on baritone, ... LP, Vinyl record album
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... LP, Vinyl record album
70s issue of a pair of 1961 sessions – with Johnny Hodges on alto, working alongside sidemen from the Ellington orchestra! Billy Strayhorn handles arrangements, and titles include "Azure", "Day Dream", "I Didn't Know About You", "I'm Just A Lucky So & ... LP, Vinyl record album