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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Carmen McRae gets some very groovy backing here from British maestro Johnny Keating – who helps her find a whole new sound through his wonderful arrangements on the set! The overall sound is relatively mellow, but still pretty great – all adult, and filled with unusual instrumental ... LP, Vinyl record album
Quite an unusual record from singer Carol Stevens – a singer who often vocalizes wordlessly, in an eerie, haunting way that's really compelling! Carol's got a breathy voice, and if she was singing the words, she'd no doubt come off as a bit of a sexpot – but here, working with ... LP, Vinyl record album
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his ... LP, Vinyl record album
A really classic set from vocalist Chris Connor – and one that's summed up perfectly in the "Sad Cafe" in the title! The album's got that blue, melancholy style that always worked best for Chris – a mode that's never too cool, but which has this laidback, almost ethereal ... LP, Vinyl record album
Early work from vocalist Sylvia Syms – all of it pretty darn great! The tracks here feature Sylvia in 2 different settings – one with larger arrangements from Johnny Richards, and soloists who include Kai Winding on trombone, Don Elliott on vibes, and Al Cohn on tenor – the other ... LP, Vinyl record album
A real standout in Chris Connor's legendary run for Atlantic Records – and a unique double-length set that was almost her answer to some of the 2LP Verve songbook sessions from Ella Fitzgerald! Like those, this album's based upon the work of a single composer – and features key ... LP, Vinyl record album
Ol' Mose manages to keep his cool, even in the 70s – laying down some great small combo work with Joe Farrell and Al Cohn each playing a bit of tenor! That Allison vocal approach is right on the money – and titles include "Your Molecular Structure", "If You Only ... LP, Vinyl record album
The title sounds a bit ambitious, but the album's actually a great intimate date from Carmen McRae – a beautifully-recorded small combo performance – caught live at Donte's in LA, with a sound that hearkens back to some of Carmen's best work of the 50s! The format is spare and simple ... LP, Vinyl record album
Great Atlantic work from Mose – cut in the early years of his rediscovery by the hippie crowd, but with a tight small combo mode that recalls his classic 50s recordings for Prestige! The group on the set's a trio – with Mose on piano and vocals, Red Mitchell on bass, and Bill Goodwin ... LP, Vinyl record album
Billy's working here with updated arrangements from Bergen White – and serves up a remake of "Old Black Magic", plus "Trying", "Fever", "Diane", "I'd Do Anything", "Faces", and "Butterfly". LP, Vinyl record album