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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A gently jazzy score by Andre Previn – written for this Robert Wise film that starred an aging Robert Mitchum and a young Shirley MacLaine! The feel here is often sad, and a bit dreamy – scored with that "serious" early 60s style that showed up in New York TV dramas a fair ... LP, Vinyl record album
Later Bond, but John Barry's still firmly in place – and is more than capable of turning out another wonderful thriller soundtrack! As with the scope of the film, the range of tunes is a bit more spread out than usual – stepping across a variety of locales to set the mood with an ... LP, Vinyl record album
One of the lesser known John Barry soundtracks, to one of the lesser known Bond films – but a nice one! The record has a beautiful easy quality that's a bit different from some of Barry's other work, and which allies it a bit more with the Sound Gallery/Sound Spectrum sound of the late 60s. ... LP, Vinyl record album
Elmer Bernstein's score for the sexy late 50s film based on Erskine Caldwell's book – done with a mix of southern styles, jazzy bits, and fuller orchestrations! Bernstein's music of the 50s is all just about as perfect as you can get for soundtrack scoring – and like some of his other ... LP, Vinyl record album
One of the greatest soundtracks ever – an archetypal album from French composer Francis Lai, and a record that set the tone for countless other imitations to come – yet which is still the best! The groove here is really unique – a spare blend of bossa influences, jazzy organ ... LP, Vinyl record album
One of the first big moments of global fame for the legendary Ennio Morricone – and a record that still stands as one of his landmark albums all these many years later! The set's famous for its haunting theme – that "wah-wah-wah" melody that led to countless covers and ... LP, Vinyl record album
A great little James Bond soundtrack – written for one of the lesser-remembered Bond films, but filled with nice moments! There's a darker, moodier feel here than on some of Barry's other Bond scores – lots of stretched out tracks that have a bit more space than usual, and odd ... LP, Vinyl record album
Although Manos Hadjidakis' soundtrack work of the 60s is mostly in the Greek-sounding mode, this one features him hitting a bit of a western soundtrack feel – to back a drama starring Terence Stamp, Ricardo Montalban, and Karl Malden. About half the tracks are instrumentals with an ... LP, Vinyl record album