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Donald Byrd & 125th Street, NYC

LP (Item 24858) Elektra, 1979 — Condition: Near Mint-
Smoking work from Donald Byrd – post-Blue Note, post-Larry Mizell, and with a modern funk groove that's still pretty darn tasty! Not one to rest on his laurels – which he could have easily done with endless Mizell-based recordings – Donald shifts his groove here towards more of a boogie-styled 80s approach – one that's got the same sort of loping funk that was showing up in the work of Tom Browne and some of the younger players on the scene at the time. There's a fuller, richer, more soul-based approach to the set – but still some strands of the Mizell years – especially in the album's great keyboard work by Clare Fischer, and its use of chorus vocals on a number of tracks. Wade Marcus and George Bohannon helped with arrangements – and titles include a great funky remake of Fischer's "Morning" – plus "Veronica", "Gold The Moon, White The Sun", "Marilyn", "Pretty Baby", and "People Suppose To Be Free".  © 1996-2023, Dusty Groove, Inc.
(White label promo. Cover has light wear and a promo stamp.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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