Julie London : Julie Is Her Name (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Julie Is Her Name

LP (Item 24807) Liberty, 1955 — Condition: Very Good-
A landmark album in 50s vocal jazz – spare, moody, and evocative tunes from Julie London – sung in a stripped-down setting that few other singers would dare at the time! The sound of the set is as sexy as the cover – intimate, personal, and breathily sung in a mode that comes across with a brashly adult presentation of the material. Backing only features Barney Kessel on guitar and Ray Leatherwood on bass – leaving Julie plenty of room to take over the record with her vocals – a real masterpiece of understatement, given the setting! Titles include her famous version of "Cry Me A River" – virtually THE version of the tune – plus "I Should Care", "Say It Isn't So", "Gone With The Wind", "Laura", and "Can't Help Loving That Man".  © 1996-2024, Dusty Groove, Inc.
(Mono turquoise label pressing with deep groove. Cover has a split bottom seam, splitting on spine & top, light wear & aging.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Julie London

Love On The Rocks
Liberty, 1963. Very Good+
A record that has Julie London already hitting that great "Nice Girls Don't Stay For Breakfast" mode of later years – the adult, informed approach that showed that the teasing nude of the 50s had turned into a pleasing woman of the 60s – capable of frank presentation of ... LP, Vinyl record album
Liberty, 1967. Very Good+
Plenty of body, and even more soul – a great little groove on the record at points, in that slinky, vampy sort of mode that Julie London picked up in the 60s! The album's got Julie taking on a fair bit of R&B and bluesy numbers – still singing in her more jazz-based style, but ... LP, Vinyl record album

Julie London

By Myself
Liberty, Mid 60s. Very Good+
(Black label stereo pressing.) LP, Vinyl record album

Julie London

Make Love to Me
Liberty, 1957. Very Good-
Hard to imagine that Julie London would ever have to ask anyone to make love to her – at least not when she looks as sexy as this on the cover! The album's a key early classic for Liberty – still very fragile, personal, and up-close enough to make you think you might just be able to ... LP, Vinyl record album

Four Grads

From This Moment On
Liberty, 1957. Very Good-
(Vinyl plays with a light click on a few tracks on side 1. Cover has taped seams, light surface wear & aging.) LP, Vinyl record album

Singers Unlimited

A Capella 1
MPS, Early 1970s. Very Good+ Gatefold
Heavenly work by one of the greatest vocal jazz combos ever! The Singers Unlimited cut many mighty albums for MPS with arrangements by some of the label's best bandleaders – but this one features them all alone, with only their voices to hold them up, which they do wonderfully, thanks to ... LP, Vinyl record album

Nina Simone

Nuff Said
RCA, 1968. Sealed
A great little album from Nina – mostly recorded live at the Westbury Music Fair, with a hip mix of jazz, soul, and folk that's stretched out in a slightly informal setting that always brings out the best of Nina's vocals. Titles include "The Backlash Blues", "Please Read ... LP, Vinyl record album

Sarah Vaughan

After Hours (Roulette)
Roulette, 1961. Near Mint-
Sarah Vaughan may be known for an earlier recording of After Hours for the Columbia label in the 50s – but on this early 60s set for Roulette, the title really fits her style – and is perfect for the mature, melancholy way that Vaughan has of putting over a tune! Sarah always had a ... LP, Vinyl record album

Morgana King

New Beginnings
Paramount, 1973. Near Mint-
A completely hip little record from Morgana King – one that takes her amazing voice, and sets it amidst some expansive arrangements that push past jazz to include some trippier 70s styles! The whole session's got a nice mix of the mellow and baroque – with a subtle funky undercurrent ... LP, Vinyl record album

Mabel Mercer

Merely Marvelous
Atlantic, Late 50s. Near Mint-
(Rockefeller label pressing with Warner rim logo. Cover has a cutout notch.) LP, Vinyl record album
Prima Magnagroove, 1963. Near Mint-
An unusual chapter in the career of Louis Prima – a post-Keely show, with vocals by Gia Maione! LP, Vinyl record album
Hi Fi, 1959. Very Good
Arguably one of the greatest albums ever cut by Jimmy Witherspoon – recorded live at an early Monterey Jazz Festival, and done in a style that shows the strong link between jazz and blues in Jimmy's work! The group on the set includes Ben Webster, Roy Eldridge, Coleman Hawkins, and Woody ... LP, Vinyl record album
 



⇑ Top