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Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Old songs, but swung the Julie London way – and given a really cool feel here, thanks to jazzy backings from the great Jimmy Rowles! The group's clearly got some key west coast hornmen in the lineup – as some points feature some standout sax or trumpet bits that really help flavor the ... LP, Vinyl record album
A great set by Julie London, from her maturing years when she was working with arranger Ernie Freeman! The End Of The World follows nicely from Julie's interpretation of the big pop hit of the same name – in territory that's sad and dreamy, but in a different way than her earlier albums on ... LP, Vinyl record album
Around Midnight's just about the best time to listen to Julie London – especially given her sultry late nite style of singing! This album's one that definitely follows in that mode – setting Julie's vocals to backings by Dick Reynolds – a bit fuller than some of her earliest ... LP, Vinyl record album
An early date from vocalist Bev Kelly – working here with a backing from a piano trio led by Pat Moran, with support on bass by a young Scott LaFaro! Kelly's vocals are intimate and warm – with qualities that remind us a bit of Chris Connor on Bethlehem, but without as much of a sense ... LP, Vinyl record album
A great album from the late 70's, featuring the excellent jazz vocalist backed by a totally tight group led by Gildo Mahones. The sound is deep and loud, and there's some nice phat bass on here, particularly on the intro to "Baltimore Oriole", which has a nice break sound at the ... LP, Vinyl record album
Like Sergio Mendes and Brasil 66? Then you'll love The Carnival! The group was formed by three former members of Sergio's group, working in 1969 with stellar LA pop production from the mighty Bones Howe – all grooving in a style that's got all the best traces of the Brasil 66 sound! The ... LP, Vinyl record album
Ed Townsend's best known as a famous songwriter and producer – whose work through the 60s and 70s made him more than a bit of green – but this early album has Ed trying his pipes as a male vocal lead, singing in a style that's smooth and mellow, a bit in the vein of Jesse Belvin, and ... LP, Vinyl record album
The last album in Leon Thomas' classic run of albums for the Flying Dutchman label – and one of the most unique as well! There's a tighter feel here than some of Thomas' more free-flowing spiritual jazz sessions – but the sound is hardly commercial at all, either – and still has ... LP, Vinyl record album