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Lullaby Of Birdland

LP (Item 24656) EmArcy, 1954 — Condition: Very Good+

A key link in the early career of Blossom Dearie – and a fab album of jazzy vocal tracks throughout! Before Blossom recorded some of her 50s sides for Verve in the US, she was living in France and working with The Blue Stars – a cool male/female jazz vocal group that went onto become the prototype for later acts like The Swingle Singers, Lambert Hendricks & Ross, and Les Double Six! This 1954 album by the group was actually a minor hit in the US, where their swinging harmony version of "Lullaby Of Birdland" crept up the charts for a few weeks. The album's even cooler than the hit, though, and has lots of groovy jazz vocal tracks in French, with the sort of vocalese harmony scatting that you probably already know from the more famous groups mentioned above. You can always pick out Blossom's distinctive voice in the group, but the real strength is the groovy group vocals – shining beautifully in one of the first great recordings of vocalese harmony! Tracks include "Gina", "Embrasse Moi Bien", "La Danse Du Baiser", "Toute Ma Joie", and a version of "Mister Sandman" that's been renamed "Mister L'Amour".  © 1996-2021, Dusty Groove, Inc.
(Blue label EmArcy pressing with deep groove. Cover has heavy oxidation on front and some very light stain along the spine on back.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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