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Manteca!

LP (Item 2385) Pacific Jazz, Early 60s — Condition: Near Mint-

One of our favorite albums ever from the great Clare Fischer – and one of the first to really show his special talents at their best! The sound here is a wonderful blend of jazz, Latin, and Brazilian modes – and in addition to piano, Clare plays plenty of organ on the date – which bristles with this cool, clear sound amidst larger backdrops that have a very driving feel! There's lots of percussive energy at the bottom of the bigger group tracks – thanks to work from Latin percussionists Carlos Vidal, Cuco Martinez, Chino Valdes, and Rudy Calzado – and some of the other cuts feature a smaller group, but still with lots of great percussion! Clare's organ has this feel that's very different than the usual Hammond jazz style – and really sounds great throughout – on a batch of tracks that includes a key reading of his classic "Morning" – plus the cuts "Manteca", "Favela", "Afro Blue", "Dulzura", and "Negrita".  © 1996-2019, Dusty Groove, Inc.
(Mono pressing with deep groove. Cover has light wear.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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