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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A landmark album that hardly needs any introduction – as it's one of the most famous soundtracks, if not soul records, of the 70s! Isaac Hayes had already surprised music fans with the sophistication of his first few solo albums, which had been issued before this one – but with Shaft, ... LP, Vinyl record album
A massive 70s album from the great Bill Withers – one that's sometimes overlooked next to his huge crossover records that preceded it – but which is every bit as wonderful! Withers is still on Sussex Records, and still has that completely unique approach that made him a soul genre unto ... LP, Vinyl record album
Raw soul, indeed – a term that could have been coined for James Brown's vocal approach, and which probably makes one of its first appearances here on a record! The album's kind of a grab bag of earlier sides that James recorded for King, but it's a perfect showcase for his amazing sound in ... LP, Vinyl record album
Probably the biggest album by this Chicago soul group, and the one that yielded up their big hit "The First Time We Met". The set's got some excellent Chicago arrangements by Tom Tom, and a good bunch of tracks that includes all original material, like "Here I Am", "Just ... LP, Vinyl record album
A classic collaboration between 2 of the godfathers of Chicago soul – recorded at a time when both of them had emerged as proven big-sales artists, and were given the freedom to experiment in different styles with side projects like this. Here, they're singing in almost a Curtis Mayfield-esqu ... LP, Vinyl record album
Nice one! The album's a classic batch of early 80s electro – featuring 8 NYC breakin' cuts produced by Arthur Baker, and featuring John Rocca on lead vocals. A bit poppy, sure – and we'll be the first to admit that we kind of wrinkled our nose at this one back in the day. But after ... LP, Vinyl record album
This one was kind of Motown's answer to the Wattstax albums – a double live set, recorded in Chicago during the Push Expo, headed by Jesse Jackson. The tracks here are more of a mixed bag than some of those on the deeper soul Wattstax albums, but there are some nice moments overall, buried ... LP, Vinyl record album
Fantastic funky soul from the prime years of the jheri curl scene on the west coast – served up by a group who are maybe a more electro-styled combo than their labelmates The Whispers and Lakeside! Collage are even heavier on the basslines and keyboards than on the previous record – ... LP, Vinyl record album
Killer 70s work by the Four Tops – one of the group's best post-Motown albums, and a really hard-hitting batch of live tunes! There's a sound here that's grittier than just about any other Four Tops album – and that includes the classics for Motown – a style that brings together ... LP, Vinyl record album
One of THE greatest experimental rock albums of the 60s – a landmark effort from a short-lived group that included avant musicians Joe Byrd and Gordon Marron! The group's got a really tremendous sound – part psyche, part electronic, and part folk rock – all put together in a ... LP, Vinyl record album
A great reworking of some Mingus ideals, with Mario Arcari on oboe, Sanero Cerino on clarinet and flute, Roberto Ottaviano on soprano and alto, Luca Bonvino on trombone and slide trumpet, Martin Mayes on french horn, and Fiorenzo Gualandris on tuba – handled with very refreshing arrangements! LP, Vinyl record album