This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A strange mix of material – but some great work overall! Most of the record features Miles Davis recording with a quintet that includes Thelonious Monk on piano, Milt Jackson on vibes, Percy Heath on bass, and Kenny Clarke on drums – on longer versions of "The Man I Love" (in ... LP, Vinyl record album
Great 50s work from Miles – including "Little Melonae", "Budo", and "Sweet Sue Just You" played by a group with John Coltrane on tenor and Red Garland on piano; "Green Dolphin Street" by a group with Hank Mobley on tenor and Wynton Kelly on piano; and ... LP, Vinyl record album
The decoy here might be in the rhythms, which are often electric, but still played live – handled by Robert Irving III on many tracks, with a cool 80s fusion sound that's mighty nice! The style of the album's a nice change from the Miles groove of the 70s – a bit leaner, with almost a ... LP, Vinyl record album
A collection of numbers that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as 33 rpm LP albums by themselves, combined here into one full length record! The first two batches of material are from 1953 – one featuring Davis working in a ... LP, Vinyl record album
Miles Davis in the early 80s – but still sounding pretty darn great, and somehow managing to take some of his best elements from the 70s and refine them into a slightly more focused groove! The tracks here are shorter than before – no side-long jams at all – but they definitely ... LP, Vinyl record album
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... LP, Vinyl record album
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... LP, Vinyl record album
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling ... LP, Vinyl record album
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... LP, Vinyl record album
One of the nicest moments from Milt Jackson in the 50s – an open-ended blowing session cut with Miles Davis, in a mode that's even better than Jackson's work for Savoy at the time! The style is very much in the key Davis mode on Prestige – with Jackie McLean in the group on alto sax, ... LP, Vinyl record album
While it's tough to think of a jazz player having "hits" – given the low sales of jazz albums, even in the 60s – it's still the case that Ammons' sound was so strong, and so soulful, he had plenty of fans in the crossover market for some of his bigger recordings. The album ... LP, Vinyl record album
A record that's virtually the blueprint for the sound of Hammond organ and tenor sax in soul jazz– the first of Eddie Lockjaw Davis' great run of cookbook albums for Prestige! The record features Lockjaw's gutsy tenor in a group alongside Jerome Richardson's lighter flute – both ... LP, Vinyl record album