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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the greatest crossover albums of the 80s – and the record that catapulted Prince very firmly into the mainstream! There's a tightness here that surpasses even that of Prince's early classics for Warner Brothers – an unabashed love of a pop hook that makes for some incredibly ... LP, Vinyl record album
A great album of mellow modern soul tracks recorded in Chaka's post-Rufus years! The record was produced by the great Arif Mardin, the man who made so many of the 70s Atlantic soul records work so well – and he handled Chaka's voice with a sweet sweet sound that you don't always get on her ... LP, Vinyl record album
Ouch! Kind of a painful title, considering the fact that the majors were making so much money off of soul music during the early 70s. The set mostly includes titles from Atlantic artists – and tracks include "Soul Makossa" by Manu Dibango, "Funky Nassau" by Beginning Of ... LP, Vinyl record album
Great vocals and modern production – a mix of James Ingram's older roots in soul music, and some of the more contemporary soul modes coming down at the end of the 80s! Ingram's got a power in his voice that just won't quit – soaring out wonderfully and warmly, even when the rhythms are ... LP, Vinyl record album
An overlooked record in the grand scheme – which is unforgivable in our book! This self-titled album Prince's second album, and already his vision is becoming a little more focused, and you can really hear the seeds of his later efforts – a really remarkable, unique, and fascinating ... LP, Vinyl record album
One of our favorite Funkadelic albums ever – a tightly grooving classic that never lets up at all! There's a sense of perfection to everything here – one that really gets the group past their tripped-out early years, and firmly into the sublime territory George Clinton hit with ... LP, Vinyl record album
Seminal work from Roger Troutman and Zapp – a killer batch of cuts that forever changed the sound of funk! The group's "wheeeeeeet/whomp!" sound is very firmly in place by the time of this release – and the sound here is even more electric than their debut – a ... LP, Vinyl record album
The Meters take their Crescent City groove in a slightly different direction – giving things a warmer, sunnier feel than their previous records – and bringing in a fair bit more vocals, too – yet still keeping all the right funky elements at the bottom! The move is a bit like ... LP, Vinyl record album
Wicked electric funk from Young Holt Unlimited – and a real departure from the sound of their 60s albums, and a step into a groove that's very 70s-styled overall! The album's heavy on Fender Rhodes – played not just by group member Ken Chaney, but also by a young Bobby Lyle – ... LP, Vinyl record album
A landmark set of grooves by this excellent Detroit group – a trio who recorded for the local indie Karen, but got a much bigger boost towards fame when their record was picked up by Atlantic! The set's one of the killer 60s Motor Town sets produced by Ollie McLaughlin – and like the ... LP, Vinyl record album