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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderfully grooving late 80s set from Earland, with a great cast of supporting players, though their names may not be as well known as some of the heavies on his other records, the group has a wonderful vibe throughout the side. Ignore the couple of tracks that this record (and all of his ... LP, Vinyl record album
Charles Earland did the funky score for this obscure Kung Fu movie – and it's one of his best albums of the time! The lineup includes a lot of the great players that were helping him on his mid-70's stuff – Eddie Henderson, Dave Hubbard, Patrick Gleeson – and the groove is deeper ... LP, Vinyl record album
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his ... LP, Vinyl record album
A real killer from Earland! The record swings incredibly hard, with a tight jazzy groove that sounds like his early work for Prestige from the first few albums. The band includes lesser known players like trumpeter Elmer Coles, alto player James Vass, and conga player Kenneth Nash – but ... LP, Vinyl record album
An extremely groovy session from arranger Pete Rugolo – done in a style that's partly jazz, but which also has lots of dynamic range – in a way that's almost in the style of some of the RCA bachelor pad albums from the time. Rugolo makes the most of the interesting format – using ... LP, Vinyl record album
A pretty obscure session by Gerry – recorded in 1955, and featuring Jon Eardly on trumpet, Zoot Sims on tenor, and Bob Brookmeyer on trombone. Gerry actually plays a bit of piano, in addition to his usual baritone – and the set bubbles with a lightly swinging, slightly modern feel that' ... LP, Vinyl record album
The title makes this one sound like a batch of bachelor pad tunes, but the album itself is easily one of Pete Rugolo's best of the 50s – a really tremendous big band outing that's filled with all-star players – all in a groove that breaks Pete very firmly past his Kenton heritage! The ... LP, Vinyl record album
One of Pete Rugolo's greatest albums – and some of his most groundbreaking work away from Stan Kenton! The album features Rugolo arranging for a tight group of west coast reed players – including Bud Shank, Dave Pell, and Bob Cooper – and the tracks are angular, complicated, and ... LP, Vinyl record album
An obscure one for the Three Sounds – and not a bad little record at all! The title sets up the formula easily – Broadway tunes, given a touch of jazz – and since the Sounds are in place, the jazzy touches are nice and soulful, and open up tunes from Oliver, Camelot, No Strings, ... LP, Vinyl record album
Sublime work from Max Roach – featuring a group that was one of his greatest! The album was recorded in Paris in the early 60s, and players include the Turrentine Brothers – Stanley on tenor and Tommy on trumpet – a killer frontline that really gives the album a hell of a lot of ... LP, Vinyl record album
An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working ... LP, Vinyl record album